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Glossary

Terms you should know.

1st century
first cen-tu-ry

The 1st century is the first 100 years beginning with the birth of Jesus Christ. God decreed that the Israelites would account the month of the exodus as “the beginning of months” (Ex. 12:1-2). Alternatively, Christians (and much of the world) calculates the passing of years based on the year when Mary “brought forth her firstborn Son” (Lk. 2:7; cf., Mt. 1:25). A.D. is the abbreviation that comes from the Medieval Latin expression anno Domini which means, "In the year of our Lord."  The 1st century falls into the period of classical antiquity.

During the 1st century, John the Baptist, Jesus Christ, and the apostles lived and died from which this era is called the Apostolic Age. The New Testament books were composed, and Christianity exploded in growth, especially among the Gentiles. During the first 100 years from Jesus’ birth, several Roman emperors ruled, including Augustus Caesar (Lk. 2:1), Nero (Ac. 25:11-12), and Vespasian. In the 1st century, Herod’s Temple was destroyed during Roman attacks against the Jews. Christians also fell under severe persecution. The faith of the 1st century Christians, who personally knew Jesus and the apostolic fathers, was tested by torture. Philip Schaff recorded Tertullian as saying, "All your ingenious cruelties can accomplish nothing; they are only a lure to this sect. Our number increases the more you destroy us. The blood of the Christians is their seed" (source: History of the Christian Church, Volume II: Ante-Nicene Christianity. A.D. 100-325).


Author: Allen B. Wolfe


academic
ac-a-dem-ic

That which is academic is scholastic in nature. That is, academic matters pertain to intellectualism or an academy of learning. All people should develop an academic understanding of the Scripture. Long-term weakness in apologetics comes from reading the Bible purely for comfort or emotional inspiration. All who read translations of the Bible are indebted to the translators who exercised advanced academic abilities in their translation work. The Bible is written with layers of complexity which require great intellectual efforts.

It is, however, altogether false to suggest that one must study the Scripture in a formal university or college in order to properly learn the Bible or theology. The “Jews marveled” at the teachings of Jesus questioning, “How does this Man know letters, having never studied?” (Jn. 7:15-16). His contemporaries erroneously assumed that one must be formally taught to have authoritative knowledge. A similar mistake was committed by Annas the high priest and the Jewish council in how they perceived Peter and John. “Now when they saw the boldness of Peter and John, and perceived that they were unlearned and ignorant men, they marvelled; and they took knowledge of them, that they had been with Jesus” (Ac. 4:13).

There are many who have attained stunning academic knowledge of the Scripture, yet have never known God ... and, worse yet, are not known of God (Mt. 7:23; 25:12; Lk. 13:24-28; Jn. 8:42-47). The apostle Paul, who taught many deep mysteries, warned, “Knowledge puffeth up, but charity edifieth” (1Co. 8:1). Head knowledge is important and should be encouraged, but heart knowledge is far more important. Head knowledge alone may lead to an eternity of damnation. Regretfully, most of the “academic” teachers of the Bible destroy faith by teaching the Bible as only a human composition.

The acedemic quality of Balancing the Sword made it suitable for the University of South Florida as a senior level literature course.

See academic vocabulary and Bible study.


Author: Allen B. Wolfe


Academic Improvement Plan (AIP)
Ac-a-dem-ic Im-prove-ment Plan

"This is a written plan that parents and teachers develop together when a child is having trouble keeping up with the skills required at his grade level" (source: FL Dept. of Education).

“An Academic Improvement Plan (AIP) will be developed for all students in grades K-8 who are not meeting State and District Levels of Proficiency. AIP’s focus learning resources on identified students’ targeted learning deficiencies. Parents are a vital aspect in the development and implementation of the AIP. They will be invited to a conference to discuss the plan and provide input. Intensive remediation in the areas of concern will begin immediately. More specific information related to AIP’s can be found in FAUS’ Pupil Progression Plan (Florida Atlantic University Schools Pupil Progression Plan)" (source: FL Atlantic University).


Author: Multiple


academic vocabulary
ac-a-dem-ic vo-cab-u-lary

An academic vocabulary is the informal collection of specialized words or phrases that are commonly used within a particular field of study but often unknown or unused by those outside that academic field. The fields of theology, literature, and philosophy (among others) possess academic vocabularies often used by those who discuss the Scripture. In the realm of theology, our academic vocabulary includes words like Christology, pneumatology, soteriology, ecclesiology, eschatology, and typology.

Academic vocabularies inevitably develop in every school of study. However, sometimes academic vocabularies make a subject unnecessarily complicated to newcomers. Those who wish to impress you with their knowledge will frequently use these academic words; although, common words are just as suitable.

An academic vocabulary may use common words with a specialized meaning. For example, the word saved generically means “rescued” or “secured.” However, Christians typically use the word saved to speak of someone who is saved by the blood of Christ from God’s eternal wrath which awaits all who are lost or damned under their sin.

“But God demonstrates His own love toward us, in that while we were still sinners, Christ died for us. Much more then, having now been justified by His blood, we shall be saved from wrath through Him. For if when we were enemies we were reconciled to God through the death of His Son, much more, having been reconciled, we shall be saved by His life” (Ro. 5:8-10).

The Bible includes many specialized words (e.g., atonement), but the biblical writers largely wrote for the benefit of the average person. Following suit, Balancing the Sword was written for the average person.

Also see academicvocabulary, and content area vocabulary.


Author: Allen B. Wolfe


Acts
Acts

Acts (a.k.a., The Acts of the Apostles) is the fifth book of the New Testament. Acts was written to Theophilus (Ac. 1:1) and is a continuation of the Gospel of Luke (Lk. 1:3). Acts is the last history book in the Bible. It begins with the final works and words of Jesus and His ascension. The Acts of the Apostles primarily tells of the activities of the apostles, especially Peter and Paul. Acts provides us with an understanding of the struggles and blessings of the early church as it grew from about 120 believers (Ac. 1:15) to thousands upon thousands of believers sprinkled throughout the known world. Please pay attention to how the church responded to the persecution. The majority of the books following Acts can be inserted somewhere in the events of this book. The travels of Peter and Paul documented in Acts give some understanding of when the apostolic letters were written. Acts also records other experiences that the apostles had with various churches—some churches who received epistles and some who did not. The book of Acts closes with Paul living in Rome as a privileged prisoner “[p]reaching the kingdom of God, and teaching those things which concern the Lord Jesus Christ, with all confidence, no man forbidding him” (Ac. 28:31). This would indicate an mid-century date.


Author: Allen B. Wolfe


alliteration
al-lit-er-a-tion

An alliteration (a.k.a., initial rhyme or head rhyme) is a literary device which combines a series of words beginning with the same letter or letters (often consonants) which creates a more artistic sound when read aloud. An example would be, An alliteration aligns allied annunciations. The alliterations of the Bible are only noticed if reading from the original Hebrew or Greek. The harmonious sounds that we find in the English are unlikely reflecting alliterations found in the original languages. According to Dr. E. W. Bullinger, "The song of Deborah, in Judges 5, abounds with examples of Homœopropheron [i.e., alliteration], which add great fire and force and beauty to the original" (source: London; New York : Eyre & Spottiswoode; E. & J. B. Young & Co., 1898, S. 171).


Author: Allen B. Wolfe


almanac
al-ma-nac

“a book published every year that contains facts and information, esp. tables showing the days, weeks, and months, important holidays, and times when the sun and moon rise, or a book containing facts and information about a particular subject” (source: dictionary.cambridge.org)

An almanac of Jerusalem would show the amount of daylight, rainfall, snow, etc. that Jesus and His apostles may have experienced when He was alive on given feast days, such as Passover.


Author: Multiple


analysis
anal-y-sis

The conclusion reached by analyzing the Scripture. One can only develop a skillful analysis by skillfully analyzing what we read. An analysis can be given orally or in writing. An analysis might emphasize a particular element, such as literary style, cultural context, translation accuracy, authorship, etc. A quality commentary is an analysis of the Bible which typically emphasis author’s intent and translation challenges. What if we fail to develop an accurate analysis of the biblical books? History has proven at times that a reckless analysis of the Bible can lead to devastating consequences which destroys faith and justifies evil behavior in the name of God. The purpose of Balancing the Sword is to help readers form an accurate and balanced analysis of the entire Bible.


Author: Allen B. Wolfe


analyze
an-a-lyze

To carefully and systematically examine primary and secondary parts of a writing by various study techniques, including but not limited to word studies, diagraming, background research, probing considerations from various angles, and comparisons to other related passages or similar writings. Before analyzing a book or chapter of Scripture in detail, begin with attentively reading through the entire section. The purpose of analyzing is to form an accurate analysis.

Every person is called to carefully analyze the Scripture. Paul instructed Timothy to develop a skillful analysis of Holy Writ when the apostle Paul wrote, “Study to shew thyself approved unto God, a workman that needeth not to be ashamed, rightly dividing the word of truth” (2Ti. 2:15). Balancing the Sword includes almost 54,000 cross references to aid readers in analyzing the Bible with fair and broad consideration of how each biblical book corresponds to other passages.


Author: Allen B. Wolfe


ancient antiquity
an-cient an-tiq-ui-ty

Ancient antiquity spans from the beginning of recorded time until the time of classical history beginning around 800 BC. 

Loosely, the books of Genesis to 2 Chronicles, Job to Song of Solomon focus upon ancient antiquity.  However, references to "ancient Jewish," "ancient Israel," "ancient Israelite," etc. found in the humanities courses for biblical studies on this Balancing the Sword website should be interpreted to included all Old Testament books and all history prior to approximately 400 BC.


Author: Allen B. Wolfe


antagonist
an-tag-o-nist

The antagonist, in contrast to the protagonist, is the character who plays the primary villain.  The antagonist, instead of being an individual, can be an opposing group or opposing force (e.g., “the spirit of the world” [1Co. 2:12; cf., Eph. 2:2]).  A narrative cannot have an agonist (either protagonist or antagonist) without an agony or a conflict.  From a literary perspective, the ultimate antagonist in the Bible is Satan.  Those who afflicted the weak were often called "sons of Belial" (or the like) in the King James Version (Dt. 13:13; Jdg. 19:22; 1Sa. 2:12). 

The Bible portrays humans with realism.  The bad guy was not always presented clearly marked as though dressed in black.  To the contrary, Jesus warned, “Beware of false prophets, which come to you in sheep's clothing, but inwardly they are ravening wolves” (Mt. 7:15).  The apostle Paul amplified that even “Satan himself is transformed into an angel of light” and some of his deceitful workers were “transformed as the ministers of righteousness” (2Co. 11:13-15).

Some of the antagonists of the Bible were antivillains, figures who lacked traditional villainous qualities or whose behavior was admirable at times.  An example of an antivillain was Joab the son of Zeruiah and the commanding general over King David's armies.  Joab was underhanded, murderous, and ultimately put to death as a criminal, but Joab had previously led Israel to victory against the enemies of God, advised David against sinfully numbering Israel, and saved David's life.  The Pharisees—Jesus’ most constant enemies—were upstanding citizens who promoted righteousness and were given to acute outward adherence to the Mosaic Law (Mt. 5:20; 23:3, 5, 14, 23, 29).  Further, those who sought righteousness by mere self-imposed good deeds were condemned.  “For they being ignorant of God's righteousness, and going about to establish their own righteousness, have not submitted themselves unto the righteousness of God” (Ro. 10:3; cf., Ro. 9:30-32; Php. 3:9).  Thus, the moralist could be the antagonist.

Solomon in Proverbs and the apostle John in his epistles defined the world in simple terms of black or white, wise or foolish, righteous or wicked, loving or hateful, etc.  The individuals described in Scripture were not always easy to classify, especially in the eyes of their contemporaries.  Antivillains and antiheroes describe the more complex characters (1) who do good for evil motives (e.g., pray to be seen of men [Mk. 12:40; Mt. 23:5]) or (2) who do bad for good motives (e.g., lie to save a life [Ex. 1:15-21; Jos. 2:1-8]).

Examples of antagonists in the Bible include

  • Laban in Genesis,
  • Pharaoh of Egypt in Exodus,
  • Balaam in Numbers,
  • the five kings of the Amorites in Joshua,
  • Sisera of Judges,
  • Goliath of 1 Samuel,
  • Absalom of 2 Samuel,
  • Ahab of 1 Kings,
  • Tiglath-pileser in 2 Kings,
  • Sanballat in Nehemiah,
  • Haman in Esther,
  • Judas Iscariot in the Gospels,
  • unbelieving Jews in Acts, and
  • the false prophets in 2 Peter.

Author: Allen B. Wolfe


antiquity
an-tiq-ui-ty

An indefinite segment of time or era which long preceded our own or dates to a former time long before the author’s life who is using the word. For example, Tyre is first mentioned in the Bible in Joshua 19:29 where it is called "the strong city." Joshua was born in Moses’ lifetime. Hundreds of years later, Isaiah gave his prophecy against Tyre identifying it as the "joyous city, whose antiquity is of ancient days" (Isa. 23:7). We speak of biblical characters as the heroes and villains of antiquity.

Also see ancient antiquity and classical antiquity as eras of historical study.


Author: Allen B. Wolfe


apocalyptic literature
apoc-a-lyp-tic lit-er-a-ture

Apocalyptic literature are writings which foretell or prophesy of final destruction or the catastrophic ending of the world. Revelation, which is also known as the Apocalypse, is the most popular book in the Bible which is largely considered apocalyptic literature. Other chapters which are frequently placed into this classification of biblical literature are Joel 3 and Matthew 24.


Author: Allen B. Wolfe


Apocrypha
Apoc-ry-pha

The word apocrypha is used as a common noun and as a proper noun. The word means “hidden” and is used to describe books that have dubious authorship or questionable authority or accuracy. In this regard, there are books which were written before and after the birth of Christ which are considered apocryphal.

Formally, as a proper noun, the Apocrypha may also have more than one definition but is generally considered books found in the Septuagint and the Catholic canon of the Old Testament but are not found in the Hebrew Masoretic Text (MT) of the Tanakh nor in the Protestant canon of the Old Testament. The following books were included in the 1611 King James Version as the Apocrypha:

  • 1 Esdras (a.k.a., 3 Esdras),
  • 2 Esdras (a.k.a., 4 Esdras),
  • Tobit,
  • Judith,
  • Addition to Esther,
  • The Wisdom of Solomon,
  • Ecclesiasticus (a.k.a., Sirach or Ben Sira),
  • Baruch with the Epistle of Jeremy (in Jeremiah),
  • Song of the Three Hebrew Children and the Prayer of Azariah (in Daniel),
  • Susanna and the Elders (in Daniel),
  • Bel and the Dragon (in Daniel),
  • Prayer of Manasses,
  • 1 Maccabees, and
  • 2 Maccabees.

Three of the apocryphal books in the 1611 KJV were not included in the Catholic deuterocanonical books received by the Council of Trent:

  • Prayer of Manasses,
  • 3 Esdras (1 Esdras in the KJV), and
  • 4 Esdras (2 Esdras in the KJV).

The Apocrypha of the Greek Orthodox Bible is slightly different than those of the Roman Catholic Church. The 1st century Hebrew-speaking Jews and the Protestants deem several of the apocryphal inclusions as interpolations:

  • the addition to Esther,
  • Baruch,
  • the Song of the Three Children,
  • Susanna, and
  • Bel and the Dragon.

Balancing the Sword covers all sixty-six books of the Protestant Bible. Click for the BTS table of contents for volume 1 and volume 2.


Author: Allen B. Wolfe


author's background knowledge
au-thor's back-ground know-ledge

An author’s background knowledge is the sum total of his knowledge which he brings to his writing experience. An author’s experiential knowledge is often subtly evident in his writing.

For example, David was a shepherd in his youth (1Sa. 16:11).  His background knowledge as a shepherd is evident throughout the Twenty-third Psalm which heavily draws upon the imagery of a shepherd with his sheep. Another display of an author’s background knowledge is found in the Gospel of Luke. "Luke, the beloved physician," spoke of Christ as a physician (Col. 4:14; Lk. 4:23; 5:31) and wrote of healing the sick substantially more than the other gospel writers.


Author: Allen B. Wolfe


author's intent
au-thor's in-tent

See author’s purpose.


Author: Allen B. Wolfe


author's point of view
au-thor's point of view

The author’s point of view is his feeling, opinion, or belief about his topic.  The author's point of view should not be confused with the narrator's point of view.  The author is the man or woman who composed the words.  The writer may have written from a personal perspective or from an alternative narrator's point of view

The writer's point of view may be evident in the writing's tone, the evidence of the author's feelings. The author’s purpose is typically inseparable from his point of view. Persuasive arguments plainly state or easily imply the author’s point of view. This is true for most of the biblical writers. They were for God and righteousness; they were against wickedness. Luke began his gospel account of Jesus Christ acknowledging that he was setting “forth ... those things which are most surely believed among us” (Lk. 1:1).  Thus, Luke confesses that his point of view was one of faith in Jesus Christ as the Son of God. However, the writer of Judges, like other history books of the Bible, reports the disturbing facts of life in Israel (e.g., Jdg. 19:1-30) without giving personal commentary to his feelings nor opinions through the tone.

It is beneficial to know an author’s bias for or against his subject. Knowing the author’s point of view allows us to more accurately determine the fairness with which the author addressed the subject. If the author has no preference for or against his subject, we account the author as neutral or unbiased. However, it should be acknowledged that author’s rarely possess pure neutrality on any subject, yet authors frequently wish to feign themselves as impartial researchers merely reporting the facts. An author’s open statement of favor or disfavor demonstrates his honesty with his audience.

One fascinating aspect of author’s point of view is how the writers of the Bible depicted themselves. People have an innate desire to make themselves look good. Yet, the biblical writers frequently tell of their most shameful mistakes. A writer’s willingness to give accurate criticism of the subject that he favors builds his credibility.

My author's point of view regarding Balancing the Sword is that the Bible is inspired by God. Learn more under Allen B. Wolfe's Theology.

See the following links to learn more:

  1. point of view
  2. narrator's point of view
  3. character's point of view
  4. reader's point of view

Author: Allen B. Wolfe


author's purpose
au-thor's pur-pose

The author’s purpose (a.k.a., author’s intent) is his reason for writing. What is the author attempting to achieve by writing? Some write to preserve history, to entertain, to educate, or to persuade. Some write not for their audience but for themselves. The author’s purpose may be a combination of motives.

An author's purpose may intertwine with complex internal motives such as pride, greed, or cathartic reasons, especially those who journal or author poetry or lyrics. However, an author's internal motivation is not the primary focus of author's purpose. For example, an author may be under contract with a university which requires that he publish research papers each semester. The professor’s internal motive may be to retain his professorship. However, his author’s purpose may be to document statistical data on decomposition rates for the purpose of aiding policymakers in legislating better laws for waste disposal. Therefore, his internal motive is job security while his author's intent is educational.

How do we determine the author’s intent? Clues may be evident in the writing's tone or the author’s point of view, as the author’s point of view is often tied to his purpose for writing. The reader may have to infer an author’s objective. The style of writing may be an indicator, but most often one must extract the author’s purpose from what is written, not how it is written. If a work is well composed and achieves its aim, the original goal for writing should be easily determinable. In a persuasive essay, the author’s purpose may be abundantly clear. The apostle John stated his author’s intent in the close of his gospel unambiguously. “But these are written, that ye might believe that Jesus is the Christ, the Son of God; and that believing ye might have life through his name” (Jn. 20:31).  A few other examples for why Scripture was written include that people could be taught the Law (Ex. 24:12), that we could learn and receive hope (Ro. 15:4), and that the readers could know imminent future events (Rev. 1:1).

My motive for writing Balancing the Sword was to aid the average Christian in gaining a comprehensive working knowledge of the entire Bible. I've explained more of my author's purpose in an on-line article entitled, The Spark: How did this all begin?.

See tone to learn more.


Author: Allen B. Wolfe


author's style
au-thor's style

An author’s style is his distinct literary manner that makes his expression of content unique from other authors. Style gives form to substance. An author’s style determines the techniques that he will employ to compose his content (i.e., his ideas, opinions, facts, etc.).

What are the particular components that define an author’s style? An author’s style is characterized by numerous factors including but not limited to

  • spelling,
  • word choices,
  • sentence structures,
  • punctuation,
  • use of literary devices (irony, metaphors, rhyme, etc.)
  • organization of ideas, and
  • (sometimes) overall tone.

There are about forty authors in the Bible. Thus, there are many distinguishable writing styles in the sixty-six scriptural books. An author may use different styles when targeting different readers or when writing different compositional forms. For example,

The apostle John wrote five biblical books in three forms. John wrote one gospel, three epistles, and one prophecy: the Gospel of John, 1 John, 2 John, 3 John, and Revelation. John used different literary components. Likewise, Solomon wrote three books: Proverbs, Ecclesiastes, and the Song of Solomon. Proverbs and Ecclesiastes have similarities, but Song of Solomon manifests a unique author’s style.

The various translations of the Bible also illustrate stylistic differences and influence our perception of the original styles of the biblical writers. Notices the stylistic variations in three translations of John 14:1.

  • "Let not your heart be troubled. You are trusting God, now trust in me.” (TLB)
  • Let not your heart be troubled: ye believe in God, believe also in me. (KJV)
  • "Do not let your hearts be troubled. Trust in God; trust also in me.” (NIV)

My authoring style is simple vocabulary, efficient sentence structures, technical punctuation, question and answer format, and overall neutral tone. Balancing the Sword was designed to emphasis the styles of the biblical authors, not compete with nor distract from the books of the Bible.


Author: Allen B. Wolfe


background knowledge
back-ground know-ledge

See author's background knowledge or reader's background knowledge.


Author: Allen B. Wolfe


benchmark
bench-mark

"A statement within the Sunshine State Standards that describes what students at a certain grade level should know and be able to do. More detailed than a strand or standard" (source: Florida Comprehensive Assessment Test [FCAT] 8.0 Glossary).

“Statements of major milestones for learning for each of the Sunshine State Standards. For the academic subject areas, benchmarks are stated at four grade level clusters: Prekindergarten to Grade 2, Grades 3-5, Grades 6-8, and Grades 9-12. For special diploma standards, benchmarks are stated at three levels of proficiency: Independent, Supported, and Participatory” (source: Florida State University: Center for Performance Technology).


Author: FL Dept. of Ed. and FSU


Bible study
Bible study

Bible study, when used as legal or educational academic vocabulary, divides into two major classifications:  (1) devotional study and (2) academic study.  These special distinctions crystallized for the academic world through the U.S. Supreme Court case Abington School District v. Schempp 374 U.S. 203 (1963).  The Court ruled 8 to 1 that school-sponsored Bible reading in public schools is unconstitutional. Prior to 1963, Pennsylvania and some other states required publicly educated students to regularly hear portions of the Bible read and to recite the Lord's Prayer.  The left-leaning Court, contrary to all of America's history since 1607, ruled that public schools were permitted to fund academic study of the Bible, but were not permitted to fund devotional study of the Bible.  The judges labored through their opinions to explain the perceived difference.  The following chart offers overly simplified differences that have artificially developed between devotional study and academic study. 

 

Contrasts Between Devotional Study and Academic Study
BIBLE STUDY DEVOTIONAL STUDY ACADEMIC STUDY
Reader's Motivation devotional academic
Student's Belief believer (faith set firm) unbeliever (faith set aside)
Student's View participant's personal view nonparticipant's impersonal view
Proponents Christians secularists
Primary Sponsor faith-based institutions and parents secular educational institutions
Place of Learning theistic churches and homes atheistic classrooms
Study's Purpose informative and instructive informative only
Teaching Purpose "the teaching of religion" "the teaching about religion"
Final Goal application from conviction awareness without conviction
Desired Influence both conversion and adoption neither conversion nor adoption
Teachers' View aiding belief; opposing unbelief "neither aiding nor opposing"
Teachers' Loyalty prefer Christianity and denounce idolatry "prefer none, and disparage none"
Religious Relativity exclusive superiority of Christianity religious pluralism and equality
Academic Discipline theological anthropological or cultural
Study Tone confessional neutral
Emphasis spiritual, ethical, and practical literary, cultural, and historical
Interpretation historical with miracles historical with myths
Assumed Authorship God through men men by deceit and delusion
Bible Accounted sacred secular
Honor to Scripture Word of God; transforming  socially influential; literarily beautiful
Judgment of Reader reader is judged by the Bible reader is judge over the Bible

 

Can the Bible be studied objectively?  Judge Stewart, in his dissenting opinion, observed that if schools taught the Bible apart from or devoid of faith, then government schools would be merely adopting an alternative religious view ... "a religion of secularism."  In truth, all people see every subject theistically or atheistically.  Theists consider every pebble as originating from the Creator; atheists consider every pebble as originating from nothing. 

Another problem with the above distinctions is that those who study the Bible devotionally can and should study the Bible academically and vice-versa.  Jesus commanded: “And thou shalt love the Lord thy God with all thy heart [i.e., devotional reading], and with all thy soul [i.e., being], and with all thy mind [i.e., academic reading], and with all thy strength [i.e., practical doing]: this is the first commandment” (Mk. 12:30).

The Court's 1963 ruling and subsequent rulings have clarified that homeschooling parents and Christian schools are free to teach the Bible both academically and devotionally.  Likewise, in every educational setting, students are free to study the Bible for both academic and devotional benefits.  The 1963 ruling pertained to government funded schools, books, administrators, and teachers---not students.

The questions in Balancing the Sword narrowly focus upon the words of the Bible.  Interpretations and application of the Text are left for individuals, parents, pastors, and teachers.  The quotes at the bottom of the pages extol faith and confidence, but are also actual quotes (without commentary) from historical figures.  Balancing the Sword fosters rigorous academic familiarity while harmonizing with devotional intent.


Author: Allen B. Wolfe


biblical literature
bib-li-cal lit-er-a-ture

Author: Allen B. Wolfe


biblical narrative
bib-li-cal nar-ra-tive

A biblical narrative is both a type of narrative and a reference to certain passages or books of the Bible. Biblical narratives are historical narratives with more emphasis on information, not entertaining drama. The first seventeen books of the Old Testament (i.e., Genesis to Esther) are basically narratives. The poetic and prophetic books are occasionally interlaced into these seventeen books (e.g., the statutes in Exodus). Narratives are also interlaced into the poetic books and the prophets (e.g., Jer. 39:1-18). Job is considered a poetic books, but is also a narrative. Likewise, Daniel and Jonah are considered prophetic books, but are also narratives. The first five books of the New Testament (i.e., the gospels and Acts) are classified as narratives; although, the events in the gospels are not always presented in chronological order.


Author: Allen B. Wolfe


canon
can-on

There are several uses of the word canon.  In the humanities courses of the Bible, canon refers to the accepted books (or, writings) of the Bible. The Bible includes sixty-six books: thirty-nine books of the Old Testament and twenty-seven books of the New Testament.  The Jewish canon includes twenty-two books which are a perfect match with the thirty-nine books of the Protestant Old Testament.

Click here for a listing of the books of the Bible with abbreviations as found in the Table of Contents of Balancing the Sword (Vol. 1).  The Balancing the Sword books cover all sixty-six books within the universal Christian canon.

Generically, a canon is an accepted collection of work by an author.  For example, the prophet Jeremiah gave numerous prophecies (at various times and to different individuals) which were combined into one canon or book named Jeremiah.

See Apocrypha or deuterocanonical as related topics.


Author: Allen B. Wolfe


canonical
ca-non-i-cal

In the study of the Bible as a humanities course, canonical means that which is included in or pertains to the official canon of Scripture.


Author: Allen B. Wolfe


Canonical Gospels
Ca-non-i-cal Gos-pels

The Canonical Gospels are the four gospel accounts accepted into the sacred canon of Scripture:  Matthew, Mark, Luke, and John.  Three of the four gospel accounts form the Synoptic Gospels.


Author: Allen B. Wolfe


canonization
can-on-i-za-tion

Regarding the study of the Bible as a humanities course, canonization refers to the process by which the biblical writings, which were written over some 1,600 years, were tested and accepted into the sacred canon of Scripture.  Writings excluded from the canon were deemed common or forgeries.


Author: Allen B. Wolfe


canonize
can-on-ize

In the study of the Bible as a humanities course, the word canonize describes the process of accepting a writing into the official canon or collection of the Bible.


Author: Allen B. Wolfe


character's point of view
char-ac-ter's point of view

The character's point of view is the unique perspective that a character possesses toward the story.  Highly developed characters possess feelings and ideas that are evident to the reader.  The words of the characters within a story may or may not be trustworthy. Some characters are wise and righteous; others are foolish or unrighteous. Some characters view the story world through their youth or ethnicity and others through their achievements or religion.  Almost all characters in a narrative hold a limited point of view. That is, characters are not fully self-conscious and cannot know the private actions, personal feelings, and internal thoughts of other characters.  (NOTE:  God the Father and Jesus Christ know the hearts of all men [2Ch. 6:30; Mt. 9:4; Mk. 2:8; Lk. 16:15; Jn. 1:42, 46; 2:25; 5:42; 6:64; 16:30; 21:17; Ac. 1:24; Heb. 4:12-13; Rev. 2:23].  Prophets were granted unnatural foreknowledge.)

A character's point of view should not be confused with the author's point of view or the narrator's point of view.  A story narrated from the first-person point of view tell the story to the reader through the prism of a character.  An author may express his thoughts or opposing thoughts through the characters in the story. 

The Bible gives voice to Satan and to countless wicked persons who were given as examples of deception and of evil.  For example, Lot's house was surrounded by sodomites who desired to rape his two male, angelic visitors.  The sodomites demanded that Lot give them the visitors.  Lot made a wicked offer:  "See now, I have two daughters who have not known a man; please, let me bring them out to you, and you may do to them as you wish; only do nothing to these men, since this is the reason they have come under the shadow of my roof" (Ge. 19:8).  The reader knows that Lot's willingness to surrender his daughters to ravenous men was against God's will by the actions of His angelic messengers.

To further illustrate, Job's wife gave him evil advice in Job 2:9: "Then his wife said to him, 'Do you still hold fast to your integrity? Curse God and die!'"  The reader is expected to know that her voice contradicted one of the main lessons of the book, namely, faithfulness.

See the following links to learn more:

  1. point of view
  2. author's point of view
  3. narrator's point of view
  4. reader's point of view

Author: Allen B. Wolfe


characters (literary)
char-ac-ter

The characters are the individuals, groups, or personified non-humans who comprise one of the main elements of literature. The interaction of the characters within the setting unfolds the plot. Characters provide dialogue and actions. Well developed characters demonstrate emotions, feelings, motives, ethical convictions, ideas, knowledge, personality, age, physical characteristics, physical skills, family relationships, social position, economic position, history, etc.  Collectively, the aforementioned qualities create the character's point of view.

In the biblical books, we are introduced to hundreds of chief characters (or, primary, main, or lead characters) and secondary characters (or, supporting characters). Students of the Bible can distinguish the main characters from the secondary characters by identifying whether a particular character would materially alter the narrative if omitted. The main characters receive primary attention, that is, many words are from the main characters or about the main characters. One notable quality of scriptural characters is their realistic portrayal of morality. The beloved principle figures, such as Abraham, Moses, David, Peter, and Paul, demonstrate imperfections and limitations. We read of their struggles to choose between good and evil.

The static characters of the Bible are presented and remain unchanged; the dynamic characters of the Bible change in awareness, motivation, morality, physicality, etc. For example, Matthew and Luke introduce Jesus Christ as a baby. As a child, we read that Jesus "grew, and waxed strong in spirit" (Lk. 2:40). "And Jesus increased in wisdom and stature, and in favour with God and man" (Lk. 2:52). However, Jesus is largely portrayed as a static character during His three-year ministry.

The men, women, nations, and even angels and demons of Scripture are all presented as nonfictional characters, apart from rare exceptions, such as the spirit who purportedly visited Eliphaz in the night (Job 4:15). Although some readers have questioned whether Adam and Eve existed, we are given their genealogical records all the way to Jesus (Lk. 3:23-38). Thus, biblical characters are substantiated with more definition than fictional figures of mythology.

See protagonist and antagonist.


Author: Allen B. Wolfe


classical antiquity
clas-si-cal an-tiq-ui-ty

Classical antiquity spans from the end of ancient antiquity at around 800 BC until around AD 500 with the decline of the Western Roman Empire and the beginning of the Middle-Ages. 

Loosely, the books of Ezra, Nehemiah, Esther, all the Old Testament prophets (viz., Isaiah to Malachi), and all New Testament books were written during the time of classical history.  However, references to "ancient Jewish," "ancient Israel," "ancient Israelite," etc. found in the humanities courses for biblical studies on this Balancing the Sword website should be interpreted to included all Old Testament books and all history prior to approximately 400 BC.


Author: Allen B. Wolfe


close reading
close read-ing

Close reading is a reading method by which the reader annotates the text with his own observations and speculations.  More specifically, close reading may incorporate virtually all reading strategies (pre-reading, during-reading, and post-reading strategies) to mark the text to amass in-depth understanding.  Close reading requires a reader to become an active reader (in contrast to a passive reader) by engaging his writing skills while reading.  The purpose of close reading is to consider every word, phrase, and structure along with all that is known about the author and his intended audience in order to unearth the most accurate and complete interpretation of the writing. 

Implementation Recommendations: 

  • It is very helpful to use color pencils when marking patterns or structures directly in a text.  (Highlighters are prone to bleed through paper.)
  • Review the entire text while analyzing one aspect.  (For example, read the entire text looking for verbs.  Then, read the entire text looking for adjectives.)
  • Divide the work with others in a group study so that each member can narrow his focus upon one to three elements.  (To illustrate, David examines the text seeking all available clues in the text that the author reveals of himself and expresses tone.  Timothy, David's brother, assumes the task of marking every figure of speech.  Sarah, the boys' sister, focuses her close reading efforts on finding evidence in the text for the primary theme.)

Close reading skills are expected among the Common Core State Standards in language arts for all students.  Furthermore, close reading strategies are expected by the College Board in preparation for AP courses, the SAT, and other college-level challenges.

Exceeding all other books in the world, the Bible has been the subject of close reading methods due to the study efforts of commentators, pastors, and average Christians.  In a sense, close reading is required of Christians.  Several Hebrew words used by biblical writers were translated as meditate in the King James Version.  Two of these words are siyach (see'-akh) and hagah (daw-gaw').  Both of these Hebrew words mean or were also translated in English as muse, ponder, commune, or study.  Interestingly, these same Hebrew words for mediate can also be translated as converse or speak.  Historic students of the Scripture were to ponder and to converse which meant that they were active readers.  The essence of meditating with conversing was the near equivalent of close reading with annotating.

  • “This book of the law shall not depart out of thy mouth; but thou shalt meditate therein day and night, that thou mayest observe to do according to all that is written therein...” (Joshua 1:8).
  • “...[H]is delight is in the law of the LORD; and in his law doth he meditate day and night” (Psalms 1:2).
  • “I will meditate in thy precepts...” (Psalms 119:15).
  • “...thy servant did meditate in thy statutes” (Psalms 119:23).
  • “...I will meditate in thy statutes” (Psalms 119:48).
  • “...I will meditate in thy precepts” (Psalms 119:78).
  • “...I might meditate in thy word” (Psalms 119:148).

Balancing the Sword is designed to help the reader discover details in the Bible that otherwise might be overlooked.  BTS changes all passive readers into active readers.


Author: Allen B. Wolfe


Common Core State Standards
Common Core State Standards

The United States has 50 state governments and over 3,000 county or county-equivalent governments.  Each has an education department.  The federal government also has an education department.  The benefits of diversity are competition, freedom, and innovation.  The detractions of diversity are that some counties and states set lower standards and that student achievement levels vary substantially.  In response, the Common Core State Standards (CCSS) "were developed in collaboration with teachers, school administrators, and experts, to provide a clear and consistent framework to prepare our children for college and the workforce."  The Common Core also serve as a helpful benchmark for homeschooling parent.

"The Common Core State Standards provide a consistent, clear understanding of what students are expected to learn, so teachers and parents know what they need to do to help them. The standards are designed to be robust and relevant to the real world, reflecting the knowledge and skills that our young people need for success in college and careers. With American students fully prepared for the future, our communities will be best positioned to compete successfully in the global economy," according to CoreStandards.org.

The CCSS expect all students to have some basic knowledge of the Bible.  By the seventh grade, all students are expected to recognize and to properly interpret biblical figures of speech (e.g., biblical allusions) used in modern writings (CCSS.ELA-Literacy.L.7.5a).  This standard presupposes that students can recognize biblical allusions.  By the eighth grade, all students are expected to be able to "[a]nalyze how a modern work of fiction draws on themes, patterns of events, or character types from ... religious works such as the Bible, including describing how the material is rendered new" (CCSS.ELA-Literacy.RL.8.9 and CCSS.ELA-Literacy.W.8.9a).  This standard presumes that students are familiar with themes, patterns of events, and characters in the Bible.  By the ninth and tenth grades, all students are expected to be able to analyze how an author draws on and transforms source material in a specific work (e.g., "a theme or topic from Ovid or the Bible") (CCSS.ELA-Literacy.RL.9-10.9 and CCSS.ELA-Literacy.W.9-10.9a).

Balancing the Sword is designed to impart to students knowledge of the charactersthemes, vocabulary, figures of speech, and plots found in the Bible.  Likewise, BTS teaches students how to carefully read complex writings to answer text-dependent questions and to use close reading strategies, as directed by the CCSS.


Author: Allen B. Wolfe


content area vocabulary
content area vocabulary

Content area vocabulary is vocabulary which should be expected within a certain discipline of study (or, content areas) and/or a certain grade level. (Typical school content areas are reading, writing, history, mathematics, and science.) Students are expected to learn new content area vocabulary in each grade. Content area vocabulary is often a subset of an academic vocabulary.

Also see high frequency content area vocabulary.


Author: Allen B. Wolfe


contextual analysis
con-tex-tu-al anal-y-sis

Contextual analysis is a method of deriving the meaning of an unknown word from the surrounding context. Unlike graphophonic analysis and morphemic analysis, which both develop meaning about a word from the word in question, contextual analysis focuses on observing context clues found before and after the unknown word. Contextual analysis uses the semantic cueing system, but contextual analysis is broader because contextual analysis also uses other cueing systems, including syntactic cueing, picture cueing, and typographic cueing. Clues found within the context include

  • antonyms,
  • cause and effect associations,
  • comparison and contrast associations,
  • examples,
  • glosses (a brief definition like this parenthetic clarification)
  • phrases of contrast,
  • phrases of similarity,
  • restatements, and
  • synonyms.

See cueing systems.


Author: Allen B. Wolfe


cueing systems
cue-ing sys-tems

Cueing systems in language arts refers to the various systems or techniques employed by readers to determine the meaning of an unfamiliar word. Cueing systems are an important part of analyzing the words of the Bible.  Among these systems are the four language cueing systems, morphemic cueing systemtextual cueing system, typographic cueing system, and picture cueing system. The four language cueing systems are the graphophonic cueing system, the syntactic cueing system, the semantic cueing system, and the pragmatic cueing system. Skillful readers have proficiency in all cueing systems. Improving your use of the cueing systems will deepen your insights into the Bible.


Author: Allen B. Wolfe


deuterocanonical
deu-tero-ca-non-i-cal

The prefix deuter- means second.  Therefore, deuterocanonical is an adjective describing a class of secondary Old Testament books which were rejected from the Jewish canon and from the Protestant Bible.  The Apocrypha is comprised of deuterocanonical books.


Author: Allen B. Wolfe


double entendre
dou-ble en-ten-dre

A double entendre is an expression in which more than one interpretation or meaning is conveyed.  The author willfully gives one statement to convey two messages to his mixed audience knowing that some will catch only one meaning while others will catch two meanings based upon their individual abilities to hear or detect multiple meanings.  A double entendre is often used as a tool to hide an offensive meaning from one class of hearers.  The double entendre is fully understood to those who have mature understanding of the author's intent and vocabulary, an understanding which might develop with study or age.

An example of a double entendre is when Jesus told His disciples to beware of the leaven of the Pharisees.  The apostles missed the true meaning held in the symbolism of leaven (meaning corrupt teaching) because they defaulted to the ordinary meaning of leaven used in bread.

"Then Jesus said unto them, Take heed and beware of the leaven of the Pharisees and of the Sadducees. And they reasoned among themselves, saying, It is because we have taken no bread. Which when Jesus perceived, he said unto them, O ye of little faith, why reason ye among yourselves, because ye have brought no bread? Do ye not yet understand, neither remember the five loaves of the five thousand, and how many baskets ye took up? Neither the seven loaves of the four thousand, and how many baskets ye took up? How is it that ye do not understand that I spake it not to you concerning bread, that ye should beware of the leaven of the Pharisees and of the Sadducees? Then understood they how that he bade them not beware of the leaven of bread, but of the doctrine of the Pharisees and of the Sadducees" (Mt. 16:6-12, KJV with italics added).

Another example of a double entendre is Jesus' use of "temple" in John 2:19-22 as a reference to His body.

The title Balancing the Sword is a double entendre in that the words within the title have multiple meanings. The books are perfectly distributed or balanced in scope and content. Likewise, the word balance means to have properly distributed understanding of all subjects, including the seemingly contrary topics. 


Author: Allen B. Wolfe


during-reading strategies
dur-ing-read-ing strat-e-gies

During-reading strategies are active reading strategies implemented while reading a book.  During-reading strategies are composed of concurrent assignments or activities that will slow the reading process, but will diminish the likelihood that reading does not become a meaningless tasks devoid of comprehension.

Below are some during-reading strategies.

--------------------------------------------------------------------------------------------------------------------------------

  1. Date.  "When I was a child, I spake as a child, I understood as a child, I thought as a child" (1Co. 13:11).  Both children and adults mature in thought by the accumulation of study.  The Balancing the Sword books will act as a journal of insights and opinions which will show your progression.  Write the date next to each chapter before answering the questions.
  2. Audio. Many books, especially popular books with expired copyrights, are now available on audio.  Some audio books are available for purchase while other audio books are free (e.g., LibriVox).  Microsoft provides Narrator and Apple provides VoiceOver which are screen readers for the visually impaired.  Both software products will read a book to you if you have a copy of the text on your computer screen.  Reading literature that surpasses a reader’s ability is slow, frustrating, and exhausting. Difficult literature hinders the learning process.  The reader may commit reading misques without knowing that mistakes have occurred.  The absence of correction reinforces bad habits.  Monitored reading under a parent, a teacher, or a more advanced reader is not always possible.  Using an audio book will perfect your pronunciation, inflection, and speed.  (Warning:  Do not allow professional readers preclude your own reading of the text.)  Professional readers complete the entire Bible in 72 hours.  The Bible is available on audio for free and on DVD for purchase.  Listen to a chapter of the Bible before attempting to read the text.
  3. Reread.  A simple text on a familiar subject can be easily understood by reading the text once.  Complex thoughts on an unfamiliar topic may only be understood after reading the text five times or more.  The first reading of a sentence may only conquer the pronunciations.  The first reading may only establish the general idea or the text's difficulty.  Rereading an individual sentence or paragraph several times may prevent an accumulation of confusion.  In other cases, the student may elect to read the text completely knowing that he will commence reread the entire text immediately upon completion.  The other active reading strategies that are listed here should diminish the number of times that rereading a text is required.  The Bible, especially the KJV, has long and complex sentence structures.  (See Bible Translations by Difficulty.)  A simple reading through the entire Bible once only establishes a general exposure.  After passively reading the entire Bible once, the average reader cannot give a basic summary of the books.  Biblical books are merged; stories are forgotten; concepts are missed; and, ideas are misunderstood.  If the Bible's text is confusing, reread the chapter.
  4. Vocabulary.  If you do not recognize a word, you might miss the intended meaning of the author. Each new vocabulary word that you add to your learning, the more you will strengthen yourself to understand future readings and the more you will enhance your ability to more precisely express yourself. List unfamiliar words. Research the definitions using a dictionary or using a cueing system to decipher the meaning of a word without a dictionary.
  5. Journalism's Five Ws and One H: News reporters are taught to research the answer to six questions to ensure their news story is complete. The five Ws and one H are each summarized by a single word: (1) who, (2) what, (3) when, (4) where, (5) why, and (6) how. Skillful note taking will aid you in writing a formal report later.  As you read the Bible, attempt to answer these six main questions of journalism.
    • Who? or Characters.  List the characters who are mentioned in the text as you read.  Give careful attention to the frequency or significance of each character.  A character may be mentioned many times or play a key role.  Separate main characters from secondary or supporting characters.  Classify characters as morally good, bad, mixed, neutral, or unclear.  Marking verse citations would help you track frequency.
    • What? or Ideas/Actions.  List key ideas discussed or actions that occur:  e.g., create, modify, move, maintain, destroy, etc.  Actions create the plot.
    • When? or Historical Setting. List manifestations of the historical context of the book, that is, list the verses which act as historical markers that indicate chronology or timing relative to other events.
    • Where? or Geographical Setting.  List the locations that are mentioned in the text as you read.
    • Where? or Social Setting. List manifestations of the cultural context of the book, that is, list the verses which reveal the ancient Near-Eastern culture or the classical Greco-Roman culture of the people in contrast to Western culture.
    • Why? or Logic/Motive.  List the support for the ideas, or list the motives behind the actions.
    • How? or Methods.  List persuasion techniques, or list the methods used to achieve the actions.
  6. Keywords.  A single word can be the pivotal element in a story, and certain words can summarize entire essays. Look for repetition. Repeated words, types of words, and phrases often establish or reveal an author's theme. List the keywords that you suspect might become important later.  Keywords identified will be helpful in the post-reading strategies.
  7. Summarize.  Most words, whether written or spoken, are supportive in function.  Few words are primary in function.  The skillful reader or listener is capable of distinguishing between supportive and primary words.  Attempt to identify the most pivotal elements of a text while the ideas are fresh in your thoughts.  If a text is difficult, stop to summarize after every sentence.  If a text is a moderate challenge, stop to summarize after every paragraph.  If a text is very difficult, stop to summarize after every chapter.  If you are reading the book with another person, switch readers ever other verse or paragraph.  After reading a verse or paragraph, allow the “coach” to summarize the text.  If the text or concepts are very difficult, stop to summarize each verse.
  8. Images.  In the right-hand panel for notes of the BTS books, draw a quick image that depicts the chapter or a scene of the chapter.  Do not draw an image to match an image already given in the BTS books. [Specify the number of frames expected for each book.]
  9. BTS Questions. Test your comprehension immediately after reading a chapter. The average person has very low comprehension and retention levels when reading, whether reading a newspaper, economic report, or Scripture. After reading each chapter, answer the Balancing the Sword questions.  All Balancing the Sword questions are text-dependent questions.  If you do not know the answer, reread the chapter or quickly scan the chapter for keywords corresponding to the questions. If you are using an on-line or computer tool, you can search for the keywords. Write the verse or verses in which the answer is found for each answer. Place the verse or verses in parentheses following the answer. Precede a verse with the abbreviation “v.” and precede multiple verses with the abbreviation “vv.” For example, use “(v. 5)” for verse 5 and use “(vv. 7-8, 11)” for verses 7 to 8 and 11. Make sure that you confirm your answers using the answer key in the back of the book.
  10. Personal Questions.  Attempt to answer any of your questions that you previously generated for yourself as part of the pre-reading strategies.
  11. Create Questions.  Create simple text-dependent questions, that is, questions that can be answered directly from the text. Make your questions as though you were creating a quiz for another student.  Provide an answer for each of your questions along with a citation making clear where the answer is found.  Avoid a question that duplicates or overlaps the Balancing the Sword questions.  Your questions should not be subjective to an impartial reader.  (Objective questions have clear answers.  Subjective questions are open for interpretation.  For example, What does the text mean? Or, how did the character feel?).
  12. Predictions.  "Hindsight is 20/20" is a common expression meaning that people can clearly see a matter after it occurs. Only prophets could foretell unknowable events which are logically contrary to all current conditions. But, prescient readers can foresee some matters before they unfold. The reader’s degree of prudence, like a sixth sense, grants a prenotion of what will come to pass. Can you detect the ending based upon the circumstances and the trajectory of the story?  Reflect upon and revise your predictions as needed.
  13. Personalize.  Life is cyclical in nature. Human experiences are recurrent. The past is prolog to the future.  "The thing that hath been, it is that which shall be; and that which is done is that which shall be done: and there is no new thing under the sun" (Ecc. 1:9).  Therefore, we can improve our lives by studying the lives of others.  We can loosely foresee the future by studying history.  Authors often write to impart knowledge, share an experience, teach a lesson, etc. because these authors desire to enrich the lives of their readers.  Readers who are mentally and emotionally connected to insightful literature reap manifold benefits.  In fact, a skillful writing can enable a reader to wisely and vicariously learn from the instructive experiences of characters instead of foolishly experiencing the same downfalls.  Personalizing reading also increases the reader's interest and memory.  Authors can introduce readers to new cultures and to completely different life experiences.  The more distant the reader feels to the literature, the more difficulty the reader will have in personalizing the text.  To illustrate, a small boy who feels alienated from his peers can easily relate to a story about a boy who faced a neighborhood bully, but the same young reader will struggle to relate to a poem about old age.  The Bible addresses every subject "under the sun."  Here are several open-ended questions that may help you to personalize the literature. 
    • Can you relate to any of the characters?  Which character and how?
    • Have you made similar discoveries? What discoveries and when?
    • Have you experienced the same events in your life?  Which events and how was your life effected by the event?
    • Do you know of others who reported similar experiences?  Who and how do you know the person?
    • Could you foresee any of the events in the story happening to you?  Which events and how could this happen?
    • Did any of the ideas help you to improve your logic or to better understand your life?  Which ideas?
    • What would you have done if faced with similar circumstances?
    • How did you feel about the protagonist or antagonist?  Why?
  14. Comment. Journal your insights and discoveries in the notes section (the right-hand panel) of the BTS books as you progress.  Exercise your skills to comment on the Text just as commentators attempt to explain the Text.  [How does compare to Close Reading?]
  15. Visualize.  The goal of reading is to accurately recreate images in our mind that match those witnessed or envisioned by the author.  As you read, construct a diagram in your mind by the author's description.  Paint a scene in your imagination.  Visualize the characters in action as the story unfolds.  Incorporate each detail described by the author into the movie of your creative thought.  Plot the locations on a map.  A vivid fabrication in your mind will reinforce memory.

See pre-reading strategies and post-reading strategies and close reading to learn more.


Author: Allen B. Wolfe


elements of literature
el-e-ments of lit-er-a-ture

Elements of literature are the core components which distinquish one literary work from another, excluding the author and the reader.  The major elements of literature include the following:

  1. form,
  2. point of view,
  3. plot,
  4. setting,
  5. characters,
  6. theme,
  7. vocabulary,
  8. style, and
  9. tone.

Author: Allen B. Wolfe


figure of speech
fig-ure of speech

A figure of speech is a literary tool used by an author or rhetorical tool used by speaker to clarify the meaning of a subject by its association to a secondary but familiar element (i.e., a person, place, thing, idea, action, or condition of existence).  The familiar element is the "figure" which possesses some similarities or corresponding realities to the main subject.  Figures of speech include similes, metaphors, and analogies.  The use of similes, metaphors, and analogies forms figurative language. 

Figures of speech also include allusions, euphemism, irony, hyperbole, oxymoron, paradox, personification, puns, etc.

Unwittingly, the average person uses figures of speech in daily conversation.  As a collection of holy writings designed to impact all people, the Bible is full of figures of speech.


Author: Allen B. Wolfe


first century
first cen-tur-y

See 1st century.


Author: Allen B. Wolfe


geographical setting
geographical setting

Geographical or physical setting is an aspect of setting that pertains to where events occur and where characters live and interact. A geographical setting is a place in space. Literary characters could see and touch their geographical settings. The locale could be either realistically or theoretically identified on a map. Geographical settings might be described as specific locations:

  • planet,
  • continent,
  • country,
  • state/providence,
  • city,
  • town,
  • street,
  • building,
  • room, or
  • terrain: mountain, forrest, pond, canyon, wilderness, swamp, garden, beach, etc.
  • proximity: atop the building, near the border, opposite the entry, bottom of the ocean, west of the mountain, beside the fire, etc.

The biblical books are set in north Africa, south-east Europe, and mostly the countries of the Near-East.

See setting, historical setting, and social setting to learn more.


Author: Allen B. Wolfe


graphophonic cueing system
graph-o-phonic cue-ing sys-tem

The graphophonic cueing system is one of the main four language cueing systems. This technique is also known as the phonic cueing system or the phonological cueing system. The graphophonic cueing system is based upon analyzing letters and phonemes. A phoneme is an irreducible phonetic unit corresponding to a particular sound. The prefix grapho- means writing. The word phonic means of or relating to sound. Graphophonic analysis studies the letter-sound relationships within a word.  The sounds often hint towards a certain meaning.

We sound out words by their parts using graphophonic techniques. A student may not recognize a word when written, but instantly knows a word's definition when the word is heard or successfully pronounced.  This is the difference between a person's oral vocabulary versus his reading vocabulary.  (See vocabulary for more.)

There are two notable weaknesses to inferring meaning based upon sound alone:  pronunciation and homophones.  The English language is very flexible and dialects morph over time and by geography.  As a result, the way people pronounce words or combine letters is irregular.  Secondly, homophones are words which sound the same yet have different meanings (wear vs. where).

Graphophonic cueing determines the possible meaning of a word based upon the phonetic sounds within the word. For example, consider the word psalmist in the King James version of 2 Samuel 23:1:  "Now these be the last words of David. David the son of Jesse said, and the man who was raised up on high, the anointed of the God of Jacob, and the sweet psalmist of Israel, said...." Many readers know that the letter p is silent when beginning a word and followed by the letter s. Furthermore, the average reader knows that the letter a is soft when not followed by a vowel. The suffix -ist is pronounced as it appears. Thus, the word psalmist is pronounced as sälm-ist. The sound sälm follows the word psalm, which is a short lyrical poem. This suffix -ist follows nouns describing someone of reputation, skill, or loyalty to a particular belief, ability, custom, or knowledge (e.g., evangelist, biblicist, monotheist, religionist, spiritualist, or canonist). A psalmist is one who is skilled in lyrical poetry. However, graphophonic cues are most evident with onomatopoeias (e.g., slap, crash, zip, tick tock, knock-knock, buzz, hiss, tweet, bark, roar, zoom, etc.) which create a rhetorical effect denoting the meaning of the word when pronounced.

See cueing systems.


Author: Allen B. Wolfe


high frequency content area vocabulary
high frequency content area vocabulary

The high frequency content area vocabulary (or, high frequency vocabulary) is the content area vocabulary words which appear frequently in a text for a specific subject and/or grade. Text books designed to teach reading skills increase the use of content area vocabulary words to build familiarity. Biblical books have high frequency content area vocabulary which help to clarify the author’s theme. High frequency words vary among biblical books, biblical genres, and biblical eras. To illustrate, in the King James Version of 1 John, we find

  • we used 80 times,
  • God 64 times,
  • you or ye 61 times,
  • love (or variations) 46 times,
  • know (or variations) 38 times,
  • sin(s) 24 times,
  • world 23 times,
  • life 15 times,
  • commandment(s) 14 times,
  • Jesus 12 times,
  • children 12 times,
  • Christ 10 times,
  • truth 10 times,
  • heard or hear 10 times,
  • spirit(s) 8 times,
  • man 8 times,
  • righteous or righteousness 8 times,
  • word 7 times,
  • light 6 times,
  • death 6 times,
  • Spirit 5 times,
  • believe 5 times,
  • keep 5 times, etc.

Among the above words, most have specific meanings to Scripture. This list would be distinctly different than the words found in 1 Kings.


Author: Allen B. Wolfe


historical setting
historical setting

Historical setting is an aspect of setting that pertains to when events occur and when characters live or interact. A historical setting is a point in time. Literary characters cannot see nor touch their historical setting because historical setting pertains to time which is intangible, but all human actions must occur in time. Historical settings might be past, present, or future.  Historical settings might be described as specific spans or moments in time:

  • era,
  • century,
  • year,
  • season,
  • month,
  • week,
  • day,
  • phase of day,
  • hour,
  • minute, or
  • second.

The Old Testament books are set between approximately 6,000 BC to 400 BC (a span of history mostly considered ancient antiquity).  The New Testament books are set between approximately AD 30 to AD 100 (a span of history completely considered classical antiquity).

Westerners along with most of the world uses the Julian calendar system developed in AD 525 by Dionysius Exiguus.  We represent years in relation to the presumed birth date of Jesus Christ.  Years prior to Christ's birth are indicated as Before Christ (BC); years subsequent to Christ's birth are indicated as Anno Domini (AD). 

In contrast, the Hebrew calendar reset to zero with their exodus from Egyptian slavery.  God commanded His people:  "This month shall be unto you the beginning of months: it shall be the first month of the year to you" (Ex. 12:2; cf., Jdg. 11:26; 1Ki. 6:1). 

Most frequently, most biblical writers indicated time relative to the reign of the dominate king of the day:  "In the eighteenth year of Nebuchadrezzar" (Jer. 52:29).  Time was also measured relative to major events:  "in the days of Uzziah king of Judah, and in the days of Jeroboam the son of Joash king of Israel, two years before the earthquake" (Am. 1:1).  The dating of the prophetic books (viz., Isaiah to Malachi) often utilizes cross referencing the placement of the prophet or key events in the historical books of 1 Kings, 2 Kings, 2 Chronicles, Ezra, Nehemiah, and Esther.  Searching for the word year in a concordance will locate most historical markers.

See setting, geographical setting, and social setting to learn more.


Author: Allen B. Wolfe


intent of the author
in-tent of the au-thor

See author’s purpose.


Author: Allen B. Wolfe


Israelite
Is-rael-ite

An Israelite is a descendent of Israel (a.k.a., Jacob) (Ge. 32:28). “And the children of Israel were fruitful, and increased abundantly, and multiplied ...; and the land was filled with them” while in Egypt (Ex. 1:1-7). The Israelites were chosen from among the descendants of Abraham and Isaac. They are the only nation with whom God made a covenant. “And the LORD hath avouched thee this day to be his peculiar people, as he hath promised thee, and that thou shouldest keep all his commandments; And to make thee high above all nations which he hath made, in praise, and in name, and in honour; and that thou mayest be an holy people unto the LORD thy God, as he hath spoken” (Dt. 26:18-19). Israel was also the only nation to received divinely composed laws. “And what nation is there so great, that hath statutes and judgments so righteous as all this law, which I set before you this day?” (Dt. 4:8). Yet, “the LORD said unto Moses, Behold, thou shalt sleep with thy fathers; and this people will rise up, and go a whoring after the gods ... and will forsake me, and break my covenant which I have made with them” (Dt. 31:16). According to Stephen, the prophecy was fulfilled. “Ye stiffnecked and uncircumcised in heart and ears, ye do always resist the Holy Ghost: as your fathers did, so do ye. Which of the prophets have not your fathers persecuted? and they have slain them which shewed before of the coming of the Just One; of whom ye have been now the betrayers and murderers” (Ac. 7:51-52).

The Israelites are the primary focus of the Old Testament. Jesus Christ and the original apostles were Israelites. The Israelites were divided into twelve tribes. The Israelites were also called Hebrews and Jews.

Also see non-Israelite.


Author: Allen B. Wolfe


literature
lit-er-a-ture

The Bible has many passages that are narratives. See biblical narrative.

biblical literature

For my needs, see http://www.balancingthesword.com/Homeschool/Credit/Humanities-Introduction-to-the-Bible-Part-1.asp .

http://www.balancingthesword.com/Study_Support/GlossaryWord.asp?Word=biblical literature
http://www.balancingthesword.com/Study_Support/GlossaryWord.asp?Word=literature

"elements of literature, including characters, plot, setting, tone, point of view, and theme."

Terms to incorporate:
literary analysis
literary characteristics
literary form
literary genres
biblical literature
elements of literature
prophetic literature

Western literature
ancient Israelite literature
types of literature found in the Bible
ancient Near-Eastern literature
"understand the different stylistic, thematic, and technical qualities present"
"elements of literature, including characters, plot, setting, tone, point of view, and theme."
Bible literature
Western literature
biblical literature

literature: "1. writings in which expression and form, in connection with ideas of permanent and universal interest, are characteristic or essential features, as poetry, novels, history, biography, and essays.; 2. the entire body of writings of a specific language, period, people, etc.: the literature of England." (http://dictionary.reference.com/browse/literature)


Author: Allen B. Wolfe


Lord’s Prayer, The
The Lord’s Prayer

The Lord’s Prayer, also known as the Model Prayer, is a prayer fashioned by Jesus Christ which He taught to His disciples so that they could learn how to pray. The Lord’s Prayer is found in Matthew 6:9-15 and Luke 11:2-4. You will notice that the account given by Matthew differs slightly from Luke’s account.

"Our Father which art in heaven, Hallowed be thy name. Thy kingdom come. Thy will be done in earth, as it is in heaven. Give us this day our daily bread. And forgive us our debts, as we forgive our debtors. And lead us not into temptation, but deliver us from evil: For thine is the kingdom, and the power, and the glory, for ever. Amen." (Mt. 6:9-15, KJV).

"Our Father which art in heaven, Hallowed be thy name. Thy kingdom come. Thy will be done, as in heaven, so in earth. Give us day by day our daily bread. And forgive us our sins; for we also forgive every one that is indebted to us. And lead us not into temptation; but deliver us from evil" (Lk. 11:2-4, KJV).

Although the Lord's Prayer is very short and one among a few of Jesus' prayers, the Lord’s Prayer is the most famous prayer in all the world.

Among Roman Catholics, priests have historically assigned individuals to pray this prayer multiple times to express penitence or gain redirection. However, Jesus gave us this prayer as a model, not as a formulated means of repentance or a method for gaining forgiveness. In fact, Jesus instructed, "But when ye pray, use not vain repetitions, as the heathen do: for they think that they shall be heard for their much speaking" (Mt. 6:7).  Thus, the Model Prayer should guide us in our form of prayer, but ought not to digress into a hollow, superstitious expression.


Author: Allen B. Wolfe


miscue
mis-cue

A reading miscue is any unforced imperfection in reading a text. Reading miscues include deviations from the text such as substitutions, omissions, insertions, repetitions, hesitations, mispronunciations, or misplaced emphases of vocal tone (e.g., ignoring a comma, failing to lift your tone at the end of a question, or interjecting a sharp close at the end of a sentence which lacks an exclamation mark). Everyone experiences miscues. Even the most proficient readers will have miscues when reading sufficiently advanced material, especially when reading material from an unfamiliar field of study that is full of academic vocabulary.

Also see cueing systems and reading fluency.


Author: Allen B. Wolfe


Model Prayer, The
The Model Prayer

See the Lord’s Prayer.


Author: Allen B. Wolfe


modes of persuasion
modes of persuasion

modes of persuasion

Methods of Appeal Basis for Persuasion

Aristotle's Rhetoric gave a different definition:  ethos was the creditbility of the speaker; pathos was the ; and logos was the .

Ethos: applications of goodness (loving, kind, honorable, generous, ); virtuous, correct, principled, proper, noble, exemplary, do the right thing; society's collective conscience; moral; sin; scale of justice; God; blessing v. cursing; loves or hates; deserve; merit; equality; equity; list emotions (anger, compassion; pride; fear; personalize; (if it were you?)

Pathos: emotional, (shame, pride, anger, joy, sorrow, depression, tranquil, jealousy, embarrassment, humility, cheerful, compassionate, ); pluck heart strings; feels right;

Logos: Useful, practical, serviceable, unworkable, unattainable, tactical, utilitarian, handy, inoperable, functional, unhelpful, effective, efficient, profitable, inconvenient, advantageous, ; related to (health, economic, political, mechanical), wise v. foolish; not emotional nor ethical; reason; smart thing; it makes sense; practical;


Author: Allen B. Wolfe


morphemic cueing system
mor-phem-ic cue-ing sys-tem

The morphemic cueing system is based upon analyzing morphemes. A morpheme is an irreducible part of a word which possesses distinct meaning. Each morpheme is a clue to understanding the meaning of the word. Morpheme often correspond to syllables, but not always. Each prefix and suffix is a morpheme.

The structural analysis of words into affixes (i.e., prefixes, suffixes, and inflections) and root words often makes a word's meaning readily apparent. Readers who possess a strong familiarity with Latin have a great advantage in seeing morphemic cues when reading English and many other modern Latin-derived languages.

Consider the word afoot in the King James version of Acts 20:13:  "And we went before to ship, and sailed unto Assos, there intending to take in Paul: for so had he appointed, minding himself to go afoot." This word is composed of two morphemes: a and foot. The prefix a- can mean either not (as a contradiction to the base word) or in or on (as an affirmation to the base word). In Acts 20:13, the word afoot means "on foot."

See cueing systems.


Author: Allen B. Wolfe


morphological analysis
mor-pho-log-i-cal anal-y-sis

The method of learning by using the morphemic cueing system.


Author: Allen B. Wolfe


narrative
nar-ra-tive

A narrative is a writing format that tells a story or how something occurred. A narrative typically includes elements such as characters, setting, events, sequence, conflict, plot, etc. The narrative writing format is distinguished from informational, persuasive, expository, and other writing formats. Narratives may be fictional or nonfictional. Most narratives are written to entertain readers. Moby Dick is an example of a famous fictional narrative.

The Bible has many passages that are narratives. See biblical narrative.


Author: Allen B. Wolfe


narrator's point of view
nar-ra-tor's point of view

The narrator's point of view is the perspective or vantiage from which the storyteller narrates.  The writer of an autobiography narrates his own life's story as the main character.  Hence, the author and the narrator and the main character are the same person for autobiographies.  Personal letters, personal journals, and eyewitness accounts of history use the first-person point of view.  However, authors most often communicate their narrative through the "voice" and from the view of a narrator.  (The narrator's point of view should not be confused with the author's point of view or a character's point of view.)  The narrator can present from three primary prisms or views which are simply enumerated as the first-person, the second-person, and the third-person point of view.

First-person Point of View.  The narrator tells the narrative from his own perspective as the first person and as a character in the story.  The evidence that the narrator is communicating from the first-person mode is that the storyteller uses first-person pronouns (i.e., I, we, me, us, myself, ourselves, my, mine, our, and ours).  The author presents from his personal view as a participant or presents from the adopted view of a character.  The first-person narrator is restricted in knowledge and may or may not be accurately perceiving other characters, situations, or events.  The first-person narrator is one witness to the story.  Many biblical writers wrote from a first-person point of view.

Second-person Point of View.  The narrator tells the narrative by directly addressing the reader or the second person.  The evidence that the narrator is communicating from the second-person mode is that the storyteller directly addresses the reader using second-person standard pronouns (i.e., you, your, yours, yourself, and yourselves) or second-person archaic pronouns (i.e., thou, thee, thy, thyself, and thine).  The second-person point of view treats the reader as a witness to the story.  The second-person point of view is the least commonly used narration mode.  The second-person narration mode is commonly combined with the first-person point of view when the narrator communicates as "I" and addresses the reader as "you."  Paul employs the first- and second-person voice in his personal epistles (viz., Romans, Ephesians, Titus, etc.).

Third-person Point of View. The narrator tells the narrative as an outside person or the third person.  That is, the author narrates his story.  The evidence that the narrator is communicating from the third-person mode is that the storyteller uses third-person pronouns (i.e., he, she, it, him, her, his, hers, its, himself, herself, itself, they, them, their, theirs, and themselves), but does not use first-person pronouns.  That is, no character communicates directly to the reader.  The third-person narrator may possess limited or full knowledge of the characters.  The third-person narrator who has limited knowledge of the private actions, internal thoughts, and personal feelings of the characters presents from the third-person limited point of view.  The third-person narrator who has unlimited knowledge of the private actions, internal thoughts, and personal feelings of the characters presents from the third-person omniscient point of view.  The omniscient point of view enables the narrator to see similtaneous events in separate locations.  Many biblical narratives (e.g., Jonah) are presented from the third-person omniscient point of view.

See the following links to learn more:

  1. point of view
  2. author's point of view
  3. character's point of view
  4. reader's point of view

Author: Allen B. Wolfe


Near-Eastern
Near-East-ern

In reference to culture, Near-Eastern is an adjective to describe a type of or an expression of culture (e.g., literature, music, art, fashion, foods, lifestyles, values, attitudes, customs, activities, sports, etc.) commonly associated with or originating from countries of the Near-East.  The adjective Near-Eastern is used synonymously with Middle-Eastern and is used to contrast Near-Eastern culture from Western culture or Far-Eastern culture.  The Near-Eastern countries are on the western half of the Orient.  The Near-Eastern countries include countries in north-eastern Africa and those countries east of Europe but west of India.  The Near-Eastern countries are those near and between the Black Sea, Caspian Sea, Arabian Sea, Red Sea, and Mediterranean Sea.

The following are a few Near-Eastern nations of today that are not named in Scripture:

  • Afghanistan,
  • Georgia,
  • Iran,
  • Iraq,
  • Morocco,
  • Turkey, and
  • Yemen.

The following are Near-Eastern nationalities of ancient antiquity which still exist today (with adjusted boundaries) that are named in Scripture:

  • Arabians,
  • Armenians,
  • Egyptians,
  • Israelites or Israelis,
  • Jordanians,
  • Lebanese,
  • Libyans, and
  • Syrians.

The following are Near-Eastern nationalities of ancient antiquity which no longer exist that are named in Scripture:

  • Amalekites,
  • Ammonites,
  • Amorites,
  • Anakims,
  • Assyrians,
  • Babylonians,
  • Canaanites,
  • Chaldeans,
  • Edomites,
  • Elamites,
  • Girgashites,
  • Hittites,
  • Hivites,
  • Jebusites,
  • Kenites,
  • Midianites,
  • Moabites,
  • Perizzites,
  • Philistines,
  • Zamzummims, and
  • Zidonians.

The following are Near-Eastern nationalities of classical antiquity which no longer exist (with the exception of the first) that are named in Scripture:

  • Cyprus,
  • Medes,
  • Parthians, and
  • Persians.

Israel is the national focus of the Old Testament.  The Old Testament is immersed in and permeated with ancient Near-Eastern culture.  The Old Testament is the foundation of the New Testament; furthermore, the Mosaic Law within the Old Testament guided much of English law and American law.  As a result, Western culture has been inseparable shaped by aspects of ancient Near-Eastern thinking and practices.

Today, the Near-Eastern nations are predominately Islamic, with the exception of Israel which is Jewish.  The religion of Islam (which developed during the Middle Ages) and the influence of Sharia law have spread Middle-Eastern dress, beliefs, and values to the northern half of Africa and to Muslim converts throughout Europe and America.

As an aside, the following are European nationalities of classical antiquity mentioned in the Bible:

  • Cretians,
  • Greeks (a.k.a., Grecians), and
  • Romans (modern Italy).

India is a Far-Eastern nation of classical antiquity mentioned in the Bible.


Author: Allen B. Wolfe


non-Israelite
non-Is-rael-ite

The Scripture often classifies humanity into two: Israelites and non-Israelites. “When the most High divided to the nations their inheritance, when he separated the sons of Adam, he set the bounds of the people according to the number of the children of Israel” (Dt. 32:8). The Israelites were also called Hebrews or Jews. The phrase non-Israelite has significance after the Israelites developed into a recognized people group. The non-Israelites were called Gentiles, the peoples, or the nations. In the New Testament, the division is given as the “Jews and Gentiles” in the KJV, NIV, and TLB or as the “Jews and Greeks” in the ASV, NAS, RSV, and NKJV (e.g., Ro. 3:9). Among the most popular nations of the non-Israelites found in the Old Testament were the Egyptians, Ishmaelites, Ammonites, Moabites, Philistines, Amalekites, Ethiopians, Syrians, Assyrians, Babylonians, Medes, Persians, etc. In general, those nations most distinctly different than Israel were those nations who came from Ham and Japheth, two of humanity's three forefathers (1Ch. 1:1-37). In the New Testament, the non-Israelites were the Romans and Greeks of various subgroups. A third classification is added in the New Testament: the Church. “Give none offence, neither to the Jews, nor to the Gentiles, nor to the church of God” (1Co. 10:32). Non-Israelites are found thoughout the Old Testament, but the primary focus of the Old Testament is upon the Israelites. In the New Testament, the focus begins upon the Israelites, but shifts to the Church (comprised of Jews and Gentiles). As is true of the Old Testament, the non-Israelites play a regular background role in the New Testament.

Also see Israelite.


Author: Allen B. Wolfe


picture cueing system
pic-ture cue-ing sys-tem

The picture cueing system is based upon drawing inferences from pictorial elements to determine the meaning of words. Most beginner’s Bibles are really picture-Bibles with a few simple words and many pictures which attempted to artistically depict scenes described in the pages of Scripture. Picture cueing builds understanding based upon maps, charts, graphs, symbols, figures, illustrations, and photographs and the captions which may accompany those picture elements.  It's been said, "A picture's worth a thousand words." Balancing the Sword has more than 1,000 images to enrich your understanding and increase your retention with a visual aid.

See cueing systems.


Author: Allen B. Wolfe


plot
plot

The plot is the storyline of events in a dramatic work of literature. A plot is the sequential organization of interaction between characters and of circumstantial changes.  In other words, the plot is the accumulated arrangement of all action, motion, change, or movement in the story.  

A plot develops as you read.  Verbs reveal developments.  Look for major pivotal action (e.g., marriage, birth, growth, sickness, death, loss, discovery, war, alliances, etc.).  

Actions typically (1) introduce the characters, set the stage, and frame the stakes (i.e., set value or attachment) by the exposition, (2) build the conflict (i.e., threaten loss or assault value), or (3) resolve the conflict (i.e., render justice or restore goodness).  Changes, in biblical literature, were introduced into the stories as

  • actions by God (e.g., "the LORD answered me, and said, ...." [Hab. 2:2]),
  • actions by nature or inanimate forces (e.g., "there was a famine in the land" [Ge. 26:1]),
  • actions by humans or intelligent beings (e.g., "a mighty angel took up a stone like a great millstone, and cast it into the sea" [Rev. 18:21]), and
  • actions by creatures (e.g., "a lion met him on the road and killed him" [1Ki. 13:24]).

Plots vary from simple to complex stories.  Action or change creates interest for readers.  In fact, an intriguing plot with unexpected turns can be redressed with different characters and repositioned into different settings without the loss of intrigue.

For example, a simplified summary of the plot of Ruth is as follows. A family of four traveled to Moab. The two sons each married a Moabite. The father and sons died. The mother named Naomi and one daughter-in-law named Ruth returned to Bethlehem. Ruth and Naomi gleaned from Boaz’s field. Ruth found favor in the eyes of Boaz.  Ruth expressed her need to Boaz.  Boaz married Ruth and redeemed Naomi’s family land.


Author: Allen B. Wolfe


point of view
point of view

Point of view, a chief element in literature, is the perspective of a key participant in the complex relationship between the writer, the story's narrator, the characters within the story, and the various readers.  There are four points of view to consider:

  1. author's point of view:  the perspective of the story writer
  2. narrator's point of view:  the perspective of the storyteller
  3. character's point of view:  the perspective of a story participant
  4. reader's point of view:  the perspective of a story reader

When the phrase point of view is used without qualification, the reference likely intends the narrator's point of view.


Author: Allen B. Wolfe


post-reading strategies
post-read-ing strat-e-gies

Post-reading or after-reading strategies are active reading strategies implemented after reading a book.  Post-reading strategies are composed of reviewing assignments or activities that will prolong the official completion, but will anchor new concepts and sharpen opinions. 

Post-reading strategies are considered response strategies and sometimes accounted repair strategies.

Below are some post-reading or after-reading strategies.

--------------------------------------------------------------------------------------------------------------------------------

  1. Reread.  [verified]  Reread all of the Balancing the Sword questions that you completed in the during-reading strategies.  Skim read the book again.
  2. Summary.    [verified]  Retell the story.  Outline the story from your notes in the during-reading strategies.  Write you own book summary or review.  Write a formal book report.
  3. Compare and contrast this book to another by the same author or during the same time or of the same genre.  Give three similarities and three dissimilarities between this book and _____________.
  4. Theater.  Perform a dramatic reading or a theatrical reenactment of all or part of the book with full inflections and facial expression.
  5. Review.  Using the Balancing the Sword questions, have your parent or a sibling quiz you.
  6. Vocabulary.  Review the vocabulary provided by your parent or teacher in the pre-reading strategies and the new terms that you amassed vocabulary in the during-reading strategies.
  7. Reflect upon the questions that you developed before the pre-reading strategies.  Which questions were answered?
  8. Predictions.  Which of your predictions made in the phase of pre-reading strategies were correct?
  9. What did you learn? Complete the L-column of the KWL Worksheet.
  10. Appraisal.  Could the same ideas have been conveyed in a simpler format?  On a scale of one to five with one being below your reading and comprehension level, with three being equal to your reading and comprehension level, and with five being above your comprehension level, how would you rate the difficulty of this book? 1 2 3 4 5.
  11. Predictions.  Were the stories or ideas in the book as you expected?
  12. Setting.  What did you learn about the cultural context of the book from reading the book?
  13. Comment. Give your opinion on _______________.
  14. Plot.  Write down the main events of this book as a plot sequence. 
  15. Visualize.  Create a stick figure depiction of each scene.  Use only ___________ frames to match your plot.  Like a comic strip.  Draw a picture of one scene. A stick figure is acceptable.
  16. Personalize.  [verified]  What feelings did this book stir within you?  What did you find most interesting or appealing? What do you still find confusing?  What did you learn that you might find applicable in your life?  The objective is to relate aspects of the story to your own experiences and feelings.
  17. Research.  [verified]  Exercise your skills to unearth additional insights about some part of the story.  Your possibilities are near endless.  Eligible resources include almanacs, private, academic, or government publications, Internet, news agencies, and information services.

See pre-reading strategies and during-reading strategies and close reading to learn more.


=============================

AO-10.  Demonstrate awareness of methods used in modern academic study of the Bible.

LA.A.1.4.1 select and use prereading strategies that are appropriate to the text, such as discussion, making predictions, brainstorming, generating questions, and previewing to anticipate content, purpose, and organization of a reading selection.

LA.A.1.4.2 select and use strategies to understand words and text, and to make and confirm inferences from what is read, including interpreting diagrams, graphs, and statistical illustrations.

LA.A.2.4.6 select and use appropriate study and research skills and tools according to the type of information being gathered or organized, including almanacs, government publications, microfiche , [Internet], news sources, and information services.

=============================

AO-6.  Demonstrate use of before, during, and after reading strategies and critical-thinking skills to enhance comprehension of literary, informational, and technical text.

LA.A.1.4.1 select and use prereading strategies that are appropriate to the text, such as discussion, making predictions, brainstorming, generating questions, and previewing to anticipate content, purpose, and organization of a reading selection.

LA.A.1.4.4 apply a variety of response strategies, including rereading, note taking, summarizing, outlining, writing a formal report, and relating what is read to his or her own experiences and feelings.

LA.A.2.4.2 determine the author’s purpose and point of view and their effects on the text.

LA.A.2.4.5 identify devices of persuasion and methods of appeal and their effectiveness.

LA.A.2.4.7 analyze the validity and reliability of primary source information and use the information appropriately.

=============================

 


Concept Map - theme
timeline
storyboards and cartoons
identify quotable quotes
speculation
collage
write a summary or review as a poem or a book review or news reporter

An Internet search for "reading strategies" will provide other suggestions.

meditation
vocabulary & patterns
 


Author: Allen B. Wolfe


pragmatic cueing system
prag-ma-tic cue-ing sys-tem

The pragmatic cueing system is one of the main four language cueing systems. This technique is based upon the practical purpose motivating the writer and/or the reader. Furthermore, pragmatic cues hinge the meaning of what was said based upon the social standings of the writer and the audience and upon the social setting in which the message was communicated.

Readers with highly varied and developed social skills excel in detecting pragmatic cues. (See reader's background knowledge.) Those who are socially rounded understand that language is modified to immediate conditions and audiences. (For example, a parent's corrections to a toddler sounds very different than a military drill sergeant's corrections to a private.)

The pragmatic cueing system leans upon detecting and appreciating motives, tones, and situational nuances; therefore, pragmatic cues are subtle to young readers, who are limited in complex and varied real-world experiences.

Reading of situations in the Bible is lost on some modern Western readers due to our cultural differences. For example, most Westerners do not initially grasp the scandalous image to which Jesus, as a Jewish man, subjected himself by conversing privately with the Samaritan woman at the well (Jn. 4:6-28).

The cultural context of the writing and the author's intent become very important to the pragmatic cueing system. The pragmatic cueing system considers the appropriate tone that accompanies each literary genre.

See cueing systems.


Author: Allen B. Wolfe


pre-reading strategies
pre-read-ing strat-e-gies

Pre-reading strategies or before-reading strategies are active reading strategies implemented before reading a book.  Pre-reading strategies are composed of preview assignments or activities that will delay your launch, but will substantially improve your journey through the Scripture.

Below are some before-reading or pre-reading strategies.

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  1. Reading Plan.  Use the BTS Reading Planner software to create a realistic reading schedule.  A reading schedule is not necessary if you will complete the entire book in one day.  [Move to "Length"?]
  2. Book Review.  Book reviews for famous works are freely available on the Internet.  A book summary typically offers a quick preview of the major characters, events, ideas, etc. which makes it easier to follow a writing as it unfolds.  Read a book review in a Bible dictionary or study Bible before starting to read.
  3. Author.  An author's background knowledge, purpose, point of view, and style influence what he writes.  The Bible was written by some forty authors.  Read a brief biographical description about the attributed author in a Bible dictionary or a study Bible before starting to read.  See pragmatic cueing system to learn more.
  4. Genre.  All written works can be subdivided into a wide array of classifications which are called genres.  The literary form of a writing influences the way we are to interpret the work.  See textual cueing system to learn more.  The Western canon of the Bible loosely organized and sequenced the sixty-six books by chronology, genre, and authorship.  Therefore, the placement of a biblical book within the canon indicates the book’s genre.  Click here to see a chart listing all sixty-six books divided by general classifications (left side in colored rows) and noting the general literary forms (right side).  The general classifications of each biblical book is also found in the Table of Contents of either volume of Balancing the Sword.  Target Book:  What is the general classification?   ________________________  What is the general literary form? ________________________________________________
  5. Book Title.  The title of a book may signal the entire message of a writing.  A title may have been created to build intrigue, to communicate the general subject, or to indicate the type of writing.  Most of the books of the Bible indicate either the identity of the author  (e.g., Isaiah, Matthew, and Jude) or the identity of the audience (e.g., Romans, Ephesians, or Titus).  Some books indicate the subject (e.g., Genesis, Deuteronomy, or Revelation); other titles indicate the literature genre (e.g., Psalms, Proverbs, or Song of Solomon).  Research the significance of the book’s title.  Is there another title used for this book?
  6. Headings and Subheadings.  Most books include chapter titles. Some books include paragraph subheadings. Before reading a book, skim reading (1) the chapter headings in the Table of Contents, (2) the chapter descriptions, and (3) the paragraph subheadings to gain a quick overview of the book. As you read through a book and before reading each chapter, again skim read the chapter heading and the paragraph subheadings. When studying the Bible, remember that all editorial notes were added by editors more than a thousand years after the book's authorship and that editorial notes may reflect a bias.
  7. Length.  The length of a writing places limits on the writing's content. Have you ever checked your watch or a progression bar to see how many minutes remain in a film? Knowing that a film will end in only ten minutes tells the us as a viewer that the conflict must be resolved quickly. The reader who has read merely half of a lengthy book knows that the plot will likely thicken or that substantial findings or analysis follows. We mentally pace ourselves for a long writing. In a short writing, we expect the author to pierce the heart of his subject quickly. The biblical writers (excluding some of the poetic and prophetic books) gave minimal words toward creating vivid descriptions. Generally, the biblical authors customarily stated facts with little embellishment. There are 1,189 chapters in the Bible and 66 books. The average book in the Bible has 18 chapters. Professional readers can comfortably read through the entire Bible in 72 hours (excluding interruptions). Before reading a book, browse through the pages to discover the book’s length. How many chapters are in the book? How many verses are in an average chapter?
  8. Structure.  The formatting structure of how words are placed on a page may indicate the thoughts conveyed by the text.  Books built upon dialog may have high percentages of white space and indented quotations to help the reader volley his or her attention between the characters as they “speak.”  In a similar way, technical writings frequently set excerpts by other authors apart from the main text by indented margins.  The rhythmic meter of poetry is commonly indicated by the visual form of the lines or the stanzas.  See typographic cueing system to learn more.  The Authorized Version of the Bible is ordinarily typeset in a simple block format. In contrast, modern translations of the Bible typically typeset the text and format each page to indicate changes in topics and in characters. You will notice that modern translations of Proverbs often sets a verse with two lines to emphasis the parallelism.  Before you read a writing, browse the book to carefully observe the typesetting structure.  Are there many quotes?  Are paragraphs long or short?
  9. Images.  Children's books, textbooks, instructional manuals, business reports, among other writings, use images to clarify thoughts and to simplify ideas.  Authors use images to guide the reader's interpretation to ensure that the reader accurately visualizes the concepts.  Technical descriptions of objects, quantities, and locations can be very difficult to conceptualize based upon written descriptions alone.  Images include artistic illustrations, charts, graphs, diagrams, and maps.  See picture cueing system to learn more.  Balancing the Sword includes more than 1,000 images.   Before reading, perform a picture walk by browse the pages of Balancing the Sword to locate each image.  Attempt to describe what you see in the image.  Notice characters or objects in the foreground and background.  Notice the emotions depicted by faces and the actions depicted by the allusion of motion.  If looking at diagrams, attempt to identify the objects.  Read the captions below the images.  Browse your study Bible to preview all of its images.  Attempt to predict what the book will be about based upon the images.
  10. Purpose for Reading.  The motivation that prompts one to embarks on reading influences the reader's attention level and acts as a filter that channels the reader's focus.  If a reader is compelled or coerced by another to read, the reader will attempt to breeze through the text as fast as possible with little concern for attaining the depth of the author's thoughts.  In contrast, a reader who adores an author will carefully read each word and might reread the writing multiple times and follow by pondering each word and phrase.  To illustrate, how does one read Terms of Use (TOU) agreements before using new software?  By contrast, how does one read a love letter from a spouse separated by war?  See reader's intent and pragmatic cueing system to learn more.  Why do people read the Bible today?  To be broadly educated, to improve their vocabulary, to know truth, to find comfort, to learn how to live.  Some gave audience to Ezekiel sounded "unto them as a very lovely song of one that hath a pleasant voice" (Eze. 33:32).  Speculate why the original audience of the author would have had interest in the message of the book.  Speculate why others might read the book.  Establish a purpose or reason for reading the book. 
  11. Background Knowledge. Knowledge interconnects like a web. Horses are farm animals. Farms are outside of the city. Cities have large buildings. Buildings require architects. Architects use math. Math is built on logic. Logic is the opposite of confusion. Confusion prevails in a society without God. God is love. So, horses and love are very indirectly connected topics through the web of knowledge. Learning is easier if attached to pre-existing knowledge. Activate your background knowledge that pertains to the characters, locations, historical setting, objects, actions, methods, motivations, or ideas in the books. The more you invigorate your existing knowledge, the more easily you will understand the book with overlapping concepts. [Give background information about the book.] What do you know about _____________ [the topic]?  Complete the K-column of the KWL Worksheet.
  12. Predictions.  Simplistic stories have predictable endings.  Complex stories and topics require more intuition to predict.  Test your ability to anticipate what will happen in the story or the eventual conclusion of the logic.  [Give background information about the book.] Based upon this, what prediction will you make? [background knowledge]
  13. Questions.  An inquiring mind remains engaged. Questions channel our curiosity. Reflect upon your purpose for reading. What would you like to learn about this book? What discoveries might you find in addition to the main theme or conclusion? When reading Judges in the Bible, one might seek to identify the movement of the tabernacle. When reading Romans, one might look for verses wherein Paul speaks with self-identification towards unbelievers Hebrews as compared to believing Gentiles.  Generate two to three questions that you would like to discover by reading this book. Give two to three questions that I want the student to look for as he or she reads.  Complete the W-column of the KWL Worksheet.
  14. Vocabulary.  A teacher prepares a student for reading with pleasure by identifying new words or words used in an unfamiliar way.  The King James Version, the Geneva Bible, Young's Literal Translation, the Darby Translation, and the American Standard Version will stretch your vocabulary skills more than newer or children's translations.  [Provide a list of new vocabulary words.  Allow the student to research the definitions.]

KWL Worksheet. Complete a KWL Worksheet: What you KNOW? What you WANT to learn? What did you LEARN?

VAR Learning Model
~ Visual Learners 
~ Auditory Learner
~ Kinesthetic (or, Tactile) Learners

Prereading Strategies

  • discussion,
  • making predictions,
  • brainstorming,
  • generating questions, and
  • previewing to anticipate content, purpose, and organization

Related Terms

  • critical-thinking skills
  • literary text
  • informational text
  • technical text

draw inferences

See during-reading strategies and post-reading strategies and close reading to learn more.


Author: Allen B. Wolfe


protagonist
pro-tag-o-nist

The protagonist, in contrast to the antagonist, is the character who plays the primary hero or heroine.  A narrative cannot have an agonist (either protagonist or antagonist) without an agony or a conflict.  From a literary perspective, the ultimate protagonist in the Bible is God as represented through the Father, the Son, and the Holy Spirit.  Those who rescued the Israelites were called “deliverers” or “saviors” in the King James Version (Jdg. 3:9; 2Ki. 13:5; Ne. 9:27; Ac. 7:35).

Most of the protagonists of the Bible were antiheroes, figures who lacked traditional heroic qualities or whose behavior ought not to be fully emulated.  In fact, God preferred to work through relatively unimpressive people as measured by society’s standards.

  • Moses was selected as the lawgiver; although, he was “not eloquent” and had a speech impediment (Ex. 4:10).
  • Gideon was selected as a judge; although, he was from a poor family in Manasseh and was the least in his father's house (Jdg. 6:15).
  • Saul was selected to be king; although, he was from “the least of all the families of the tribe of Benjamin” which was described as “the smallest of the tribes of Israel” (1Sa. 9:21).
  • David was selected to be king; although, he was his father’s youngest son, “a poor man, and lightly esteemed” (1Sa. 16:11; 18:23).
  • Jeremiah was called to be a prophet; although, he said, “I cannot speak: for I am a child” (Jer. 1:6).
  • Peter and Andrew were called to be apostles; although, they were ordinary fishermen (Mt. 4:18).
  • Matthew was called to be an apostle; although, he was a disdained tax collector (Mt. 9:9).
  • Paul was called to be an apostle; although, he “persecuted the church of God” (1Co. 15:9) and was weak in presence and “his speech contemptible” (2Co. 10:10).

The common biblical hero or heroine were unlikely superstars.  The Father hid His truths “from the wise and prudent” but “revealed them unto babes” (Mt. 11:25).  Why did God choose the lowly?  “But God hath chosen the foolish things of the world to confound the wise; and God hath chosen the weak things of the world to confound the things which are mighty; And base things of the world, and things which are despised, hath God chosen, yea, and things which are not, to bring to nought things that are:  That no flesh should glory in his presence” (1Co. 1:27-29).

Most of the protagonists summarized in Hebrews 11:4-32 were antiheroes and antiheroines authentically described as having committed sins, yet the descriptions in Hebrews recollects only their displays of faith in God.

  • Noah was guilty of drunkenness.
  • Abraham was guilty of twice subjecting his wife to defilement by deception due to his cowardice, taking a concubine, and abandoning the care of Hagar and Ishmael.
  • Sarah was guilty of laughing in disbelief at the promise of God.
  • Isaac was guilty of subjecting his wife to defilement by deception due to his cowardice and guilty of favoritism between his children.
  • Jacob was guilty of deception, polygamy, and favoritism between his wives and children.
  • Moses was guilty of shattering the tablets upon which the Ten Commandments were written.
  • Rahab was guilty of harlotry.
  • Gideon was guilty of doubting God’s promise.
  • Barak was guilty of doubting God’s promise.
  • Samson was guilty of violating his Nazarite vow and defiling himself with women.
  • Jephthah was the son of a harlot and was guilty of foolishly vowing to give his daughter as a burnt offering.
  • David was guilty of neglecting justice, committing adultery, deception, and murder.

The historical narratives of the Bible carry greater believability because of the realism captured in Scripture.  The Scripture does not portray characters in ethical perfection as is common in fairytale idealism.  There are few biblical characters—all of whom were imperfect humans—who were presented as near perfect figures:

  • Abel,
  • Enoch,
  • Joseph,
  • Samuel,
  • Ruth,
  • Ezra,
  • Esther,
  • Daniel, etc.

Author: Allen B. Wolfe


punctuation marks
punc-tu-a-tion marks

Punctuation marks are typographic characters added to words to clarify meaning.  Punctuation marks are an important aspect of the syntactic cueing system.  Punctuation marks include

  • comma, e.g., ,,
  • semicolon, e.g., ;,
  • colon, e.g., :,
  • slash, e.g., /,
  • hyphen, e.g., -,
  • en dash, e.g., ,
  • em dash, e.g., ,
  • swung dash, e.g., ~,
  • parenthesis, e.g., ( ),
  • square bracket, e.g., [ ],
  • angle bracket, e.g., < >,
  • ampersand, e.g., &,
  • ellipsis, e.g., ...,
  • apostrophe, e.g., ',
  • quotation marks, e.g., " ",
  • period, e.g., .,
  • question mark, e.g., ?,
  • exclamation mark, e.g., !,
  • etc.

The rules of punctuation in the older Bible translations is different than modern translations. 


Author: Allen B. Wolfe


purpose of the author
pur-pose of the au-thor

See author’s purpose.


Author: Allen B. Wolfe


reader's background knowledge
read-er's back-ground know-ledge

A reader’s background knowledge is the sum total of his knowledge which he brings to his reading experience. A reader’s experiential knowledge greatly influences the depth of his insights as he reads. The more the reader knows, the easier it is to learn more. One who struggles over basic vocabulary words will forfeit much time learning new words. (See vocabulary.)

For example, an attorney has a special advantage when reading the Mosaic Law. Likewise, a person who is well-traveled throughout Israel and the Mediterranean will have greater ease envisioning the geographical aspects sprinkled throughout the Bible. Furthermore, Philip the evangelist knew of Jesus’ sacrificial death. This allowed Philip to understand Isaiah 53 while the Ethiopian eunuch felt he could not understand the Scripture “except some man should guide" him (Ac. 8:31). Based upon the number of quotes from the Old Testament, Matthew’s gospel presumed that his audience was familiar with the Old Testament.

Some literary devices employed by biblical characters presumed background knowledge. Parables, metaphors, and similes were designed to utilize a reader's preexisting knowledge to build new understanding on a comparable subject. When God questioned His people asking, "Is not my word like as a fire? saith the LORD; and like a hammer that breaketh the rock in pieces?" (Jer. 23:29), the questions presumed that His audience knew of fire's consuming power and the hammer's shattering strength.

Background knowledge lends a natural advantage to adults over children who have very little life experience. For this reason, it is incumbent upon parents to explain the Scripture to their children (Dt. 6:7).  A reader's background knowledge is the key aspect of the pragmatic cueing system.

Also see author's background knowledge.


Author: Allen B. Wolfe


reader's point of view
read-er's point of view

The reader's point of view is the point of view (i.e., opinions and emotions) held by the audience or the reader.  (The narrator communicates to the narratee or narratees.)  How does the reader view the topic?  Every person has a mental grid and emotional undercurrents through which literature is viewed.  The reader’s or narratee’s conscience and subconscious presuppositions influence his interpretation of an author's entire work.  The reader's background knowledge substantially shapes the reader's point of view.

A writer might publish his work for the benefit of all and with no one in particular in mind.  In such a case, all readers of the same language living contemporaneously with (and sometimes after) the writer are members of the originally intended audience.  In distinction, if an author writes for or to a specific individual or group (e.g., a 2012 congressional report for members of the 112th U.S. Congress), readers become divided between the original audience and the secondary audience.  Therefore, the reader's point of view is appropriately divided into two classifications:  the original reader's point of view and the secondary reader's point of view.  A skillful author, who writes with a foreknown audience, crafts words to best communicate with his intended audience.  The author will presume upon the reader’s background knowledge and the reader’s opinions and emotions (or, point of view).  The mature writer will harness the reader’s agreements and persuade the reader’s disagreements.

Many books in the Bible and sections within biblical books were for or to special classes or subgroups (e.g., priests, Levites, kings and princes, prophets, church elders, men, women, children, masters, slaves, etc.). The apostle Paul's letters are clear examples of writings authored for named audiences. 

  • Romans was written "[t]o all that be in Rome" (Ro. 1:7).
  • 1 Corinthians was written "[u]nto the church of God which is at Corinth" (1Co. 1:2).
  • 2 Corinthians was written "unto the church of God which is at Corinth, with all the saints which are in all Achaia" (2Co. 1:1).
  • Galatians was written "unto the churches of Galatia" (Gal. 1:2).
  • Ephesians was written "to the saints which are at Ephesus, and to the faithful in Christ Jesus" (Eph. 1:1).
  • Philippians was written "to all the saints in Christ Jesus which are at Philippi, with the bishops and deacons" (Php. 1:1).
  • Colossians was written "[t]o the saints and faithful brethren in Christ which are at Colosse" (Col. 1:2).
  • 1 Thessalonians was written "unto the church of the Thessalonians" (1Th. 1:1).
  • 2 Thessalonians was written "unto the church of the Thessalonians" (2Th. 1:1).
  • 1 Timothy was written "[u]nto Timothy, my own son in the faith" (1Ti. 1:2).
  • 2 Timothy was written "[t]o Timothy, my dearly beloved son" (2Ti. 1:2).
  • Titus was written "[t]o Titus, mine own son after the common faith" (Tit. 1:4).
  • Philemon was written "unto Philemon our dearly beloved, and fellowlabourer, And to our beloved Apphia, and Archippus our fellowsoldier, and to the church in thy house" (Phm. 1-2).

Original audiences have obvious advantages over subsequent readers who are at risk for lacking important background knowledge or distant opinions and emotions. Generally, the secondary reader’s point of view diminishes in quality with increased estrangement (i.e., distance by ideology, ethnicity, gender, time, culture, etc.). To clarify, the unbelieving female reader from a modern Western culture is at greater risk for misunderstanding an Old Testament passage written to ancient, Near-Eastern Hebrew men than the originally intended readers. 

Today's readers hold one distinct advantage of a canon of sixty-six books.  It is reasonable to assume that most individuals who lived during the days of the Old Testament and the New Testament authors owned no personal copies of the biblical books or owned limited collections.

Apostolic letters were intended for circulation:   "And when this [Colossians] epistle is read among you, cause that it be read also in the church of the Laodiceans; and that ye likewise read the epistle from Laodicea" (Col. 4:16).  Furthermore, Hebrews 1:1 opens stating that "God ... spake in time past unto the fathers by the prophets...."  The Old Testament prophets were not accounted, by the apostle Peter, as the principal author of their works.  "Knowing this first, that no prophecy of the scripture is of any private interpretation.  For the prophecy came not in old time by the will of man: but holy men of God spake as they were moved by the Holy Ghost" (2Pe. 1:20-21).  The Jews held an advantage above all nations in that "chiefly, because that unto them were committed the oracles of God" (Ro. 3:2).  Although entrusted to the Jews, according to the apostle Paul, the Old Testament canon was also for the benefit of the New Testament faithful.  "For whatsoever things were written aforetime were written for our learning..." (Ro. 15:4; cf., Ro. 4:23-24; 1Co. 9:9-10; 10:6, 11; 2Ti. 3:16-17).

Bear in mind that the normal purpose of reading is to understand the writer's meaning; therefore, all readers should constantly ask, What purpose, point of view, and background knowledge did the author have?  The reader who is unconscious of his point of view is in danger of imposing his emotions and opinions onto the words to the obfuscation of the writer's meaning.

See the following links to learn more:

  1. point of view
  2. author's point of view
  3. narrator's point of view
  4. character's point of view

Author: Allen B. Wolfe


reading fluency
read-ing flu-en-cy

Reading fluency is the ability to quickly and smoothly read text with appropriate pauses and inflections. Reading deficiency is manifested by miscues. Reading fluency permits a reader to absorb the most from the Bible and all literature, whether reading or listening. Words convey ideas. When a struggling reader stumbles over unfamiliar words, he loses focus on those thoughts that the author intended to convey. The artistic appeal of poetry vanishes with each miscue. Reading fluency is largely determined by one's vocabulary and ability to sequentially scan words. Your reading fluency improves with increased practice at reading.

Reading fluency also advances by hearing proficient readers. I strongly recommend that parents read the Scripture to their children when they are little. Require your children to read along.  As soon as possible, have your child read aloud while you read along and correct any miscues.

Most pastors privately stutter through the long listings of ancient Hebrew names several times before reading such passages publicly. The difficulty of the names found in the Bible (among other reasons) causes me to strongly urge that most Christians listen to professional readers narrate the Bible on video or audio for premier assistance.

Another key technique for improving reading fluency is use of complex cueing systems.


Author: Allen B. Wolfe


reading strategies
read-ing strat-e-gies

Reading strategies or active reading strategies are activities that a reader can use to enhance comprehension and recall of a text.  Active reading is the opposite of passive reading.  Simply reading the Bible will convey benefits to an average reader, and passive reading will require the least amount of time by a Bible student.  In contrast, actively reading the Bible while employing reading strategies will require more time.  The reward to those who invest the additional effort into reading strategy assignments will

  1. stir and retain interest in the stories and ideas,
  2. more accurately connect the reader with the emotional pulse felt by those who held the pen centuries ago,
  3. greatly broaden intellectual discoveries,
  4. substantially increase memory retention, and
  5. clarify the reader's opinions about the writings.

Active reading strategies are divided into three activities based upon when the stratagems are implemented in comparison to when the reading is done:  (1) pre-reading strategies, (2) during-reading strategies, and (3) post-reading strategies. Balancing the Sword is a study tool designed to guide an active as a during-reading strategy and post-reading strategy.

See close reading.


Author: Allen B. Wolfe


semantic cueing system
se-man-tic cue-ing sys-tem

The semantic cueing system is one of the main four language cueing systems. This technique is also known as the contextual cueing system or the lexical cueing system. The semantic cueing system is based upon meaning within context. Semantic understanding is largely determined by the reader's vocabulary or lexicon.

Semantic cues are gained through using knowledge of known words which precede or follow the unknown word. For example, suppose that you do not recognize the word gourd. We read about a gourd in Jonah 4:6-7. "And the LORD God prepared a gourd, and made it to come up over Jonah, that it might be a shadow over his head, to deliver him from his grief. So Jonah was exceeding glad of the gourd. But God prepared a worm when the morning rose the next day, and it smote the gourd that it withered." The meaning of gourd can be deciphered from the meaning of other known words within the context. The gourd provided shade, was killed by a worm, and withered. Therefore, we can glean that the gourd was a fast growing plant with broad foliage.

Homonyms can throw your correct understanding, but synonyms and antonyms interlaced into the text help us to decode meaning of unknown words (as is found in the parallel poetry frequently employed in Psalms and Proverbs). Furthermore, surrounding similes and metaphors aids us in learning unknown words.

The word yoke is easy to pronounce because it follows simple phonetic rules, so a young reader who's never read the word may be able to pronounce the word without difficulty. But, did he understand what was meant? The only meaning of yoke for the young, urban reader may be the center of an egg. However, taken within context, Jesus' reference to yoke in Matthew 11:28-30 cannot be speaking of the yoke of an egg. "Come unto me, all ye that labour and are heavy laden, and I will give you rest. Take my yoke upon you, and learn of me; for I am meek and lowly in heart: and ye shall find rest unto your souls. For my yoke is easy, and my burden is light" (Mt. 11:28-30). The words labour, heavy laden, rest, easy, burden, and light would all imply that yoke has something to do with stress and work.

See cueing systems.


Author: Allen B. Wolfe


setting
set-ting

In literature, setting refers to (1) the physical, (2) the historical, and (3) the social environments in which a story unfolds.  All events occurs in (1) a place in space, (2) a point in time, and (3) a condition of existence.  Some forms of literature (e.g., a poem about a flower) may omit one or all aspects of setting.  Most works of literature, that include characters, will also include all three aspects of setting. 

A writing may include primary and secondary settings in all three descriptions of setting (place, time, and condition).  A clear example of a primary and a secondary setting is evident in the Book of Ruth regarding geography.  The book opens with the characters leaving Bethlehem, Judah of Israel for the country of Moab. The characters return to Bethlehem after the first 19 verses of the first chapter.  The remaing three chapters are set in Bethlehem.  Bethlehem is the primary physical setting; Moab is the secondary physical setting. 

A setting that changes through a writing is a dynamic setting; a setting that remains constant through a writing is a static setting.  To illustrate, the Book of Numbers opens "in the Wilderness of Sinai" (Nu. 1:1) with the first generation of Israelites who escaped Egyptian slavery and closes "in the plains of Moab by the Jordan, across from Jericho" (Nu. 36:13) with the second generation of Israelites who entered the Promised Land.  The cultural context or social setting of the book is the nomatic, ancient Israelites.  Therefore, the geographical setting and historical setting are dynamic settings.  The social context is a static setting.

See geographical setting, historical setting, and social setting to learn more.


Author: Allen B. Wolfe


social setting
social setting

Social setting or cultural context is an aspect of setting that pertains to the human environment among which events occur and among which characters live or interact. A social setting is a condition of existence. Literary characters perceive their cultural context through all of their senses. Social context is dependent upon people who form a culture. Cultural settings might be described as (1) sustained conditions, (2) collective expectations, or (3) prevailing norms among a group of people or a social network as classified by various distinctions:

  • religiously,
  • spiritually,
  • educationally,
  • morally,
  • legally,
  • politically,
  • economically,
  • industrially,
  • technologically,
  • relationally,
  • emotionally,
  • ethnically,
  • demographically,
  • musically,
  • cosmetically, etc.

The Bible is set in ancient Near-Eastern culture and classical Greco-Roman culture.  A common error of today's Bible readers is interpreting Scripture from our modern Western perspective.

See setting, geographical setting, and historical setting to learn more.


Author: Allen B. Wolfe


stylistic
styl-is-tic

Related to style. See author's style.


Author: Allen B. Wolfe


Synoptic Gospels
Syn-op-tic Gos-pels

Synoptic begins with the prefix syn- which means together.  The stem word optic means view.  The Synoptic Gospels are the three Canonical Gospels that share the same view:  Matthew, Mark, and Luke.  John's account of Jesus offers a high percentage of unique content.  In contrast, the accounts of Matthew, Mark, and Luke each have a high percentage of overlap.  Mark's account includes the least amount of unique content.


Author: Allen B. Wolfe


Synoptic Problem
Synoptic Problem

The Synoptic Problem attempts to understand the cause behind the similarities and dissimilarities within the Synoptic Gospels.  An examination of the the Canonical Gospels naturally lends broader insights into the life of Jesus through the differences within the gospel accounts, that is, through the unique information that each gospel offers.  The creditibility of the witness accounts builds based upon overlap.  The Synoptic Problem focuses upon the sequence of authorship and the striking similiarities within the reports.


Author: Allen B. Wolfe


syntactic cueing system
syn-tac-tic cue-ing sys-tem

The syntactic cueing system is one of the main four language cueing systems. This technique is also known as the grammatical cueing system. The syntactic cueing system is based upon syntax. Syntax, in language arts, refers to the orderly system by which phrases, words, and other grammatical elements are constructed.

Languages possess predictable patterns. We can decode what a word might mean based upon where the word was placed within the sentence. Readers who can quickly identify how words function (e.g., noun, pronoun, verb, adverb, adjective, proposition, conjunction, and interjection) and who are attentive to punctuation marks possess an advantage in recognizing syntactic cues.

Sentences which begin following a typical structure hint towards which or what type of word or phrase may complete the sentence. For example, the phrase "Praise ye the LORD" appears twenty-five times in the Book of Psalms in the King James version. As a result, a familiar readers of psalms can predict that the word LORD will follow when he begins to read "Praise ye the...." Syntactic cueing systems increase our reading speed. A common sentence structure begins with the subject animated by a verb regarding an object. Such a sentence would normally include a noun phrase for the subject, a verb phrase for the verb, and another noun phrase for the object. (Little Tom quickly ran to the store.)

One of the challenges presented by older English construction (as used in the Authorized Version, the Young's Literal Translation, or the Geneva Bible) is that modern readers cannot as easily identify and predict the syntax. For example, Matthew 23:1 in the KJV possesses an oddly sequenced construction where the subject (viz., Jesus) is placed between the verb (i.e., spake) and object (viz., the multitude):  "Then spake Jesus to the multitude...." The New King James translated this verse more smoothly using the subject-verb-object format: "Then Jesus spoke to the multitudes...."

See cueing systems.


Author: Allen B. Wolfe


text-dependent questions
text-de-pen-dent ques-tions

Text-dependent questions are questions which can be answered directly from the passage being read.  The reader does not need any outside tools or resources to answer text-dependent questions.  A diligent scrutiny of the target chapter or the reading section will always provide the specific answer to each text-dependent question.  Text-dependent questions focus the reader upon the author's ideas and are not open to the reader's interpretation.  High-quality text-dependent questions force the reader to give attention to details and prevent the student from merely skimming the text.  Developing the skills to carefully analyze reading material to find small details within a text is a principal goal of the Common Core State Standards, the K-12 academic standards used by most states in the United States.

There are more than 7,000 questions with more than 12,000 parts in the Balancing the Sword books.  Every question in Balancing the Sword is a text-dependent question about a specific chapter of the Bible.


 


Author: Allen B. Wolfe


textual cueing system
tex-tu-al cue-ing sys-tem

The textual cueing system is based upon the organization of the text. The literary form or genre influences the text’s structure or organization which in turn influences meaning or interpretations. Some forms lend themselves towards strict organizational patterns (e.g., legal document or poem). Other forms tend towards a loose or fluid arrangement (e.g., dialogue or personal journal).

John 9:17-27 records a dialogue between the Pharisees and a man healed by Jesus and the man’s parents. Knowing that the following passage is a dialogue which integrates personal recollections of a very controversial event prepares us for the elusive exchange. The parents claim ignorance, but can you trust their words? No. The nature of an interrogation alters the way we interpret the words.

The Pharisees “say unto the blind man again, What sayest thou of him, that he hath opened thine eyes? He said, He is a prophet. But the Jews did not believe concerning him, that he had been blind, and received his sight, until they called the parents of him that had received his sight. And they asked them, saying, Is this your son, who ye say was born blind? how then doth he now see? His parents answered them and said, We know that this is our son, and that he was born blind: But by what means he now seeth, we know not; or who hath opened his eyes, we know not: he is of age; ask him: he shall speak for himself. These words spake his parents, because they feared the Jews: for the Jews had agreed already, that if any man did confess that he was Christ, he should be put out of the synagogue. Therefore said his parents, He is of age; ask him. Then again called they the man that was blind, and said unto him, Give God the praise: we know that this man is a sinner. He answered and said, Whether he be a sinner or no, I know not: one thing I know, that, whereas I was blind, now I see. Then said they to him again, What did he to thee? how opened he thine eyes? He answered them, I have told you already, and ye did not hear: wherefore would ye hear it again? will ye also be his disciples?”

See cueing systems.


Author: Allen B. Wolfe


theme
theme

A writing theme (or, motif) is a principal subject, concept, or idea that is repeated in the text. A theme is broad in thought, but brief in summary.  Sometimes a writing's title plainly reveals the main theme. In other cases, we find the theme undergirding the characters and interlaced through the events. The theme is deeper than the decoration of literary devices and behind artistic word choices, but the theme may be rendered to the reader through repetitious vocabulary. Unlike miscellaneous topics found in literature, a theme reoccurs to the reader by the variation of new settings, characters, events, dialogue, and the like. A theme is best identified through pondering a writing after thoroughly reading the text. We miss the most critical summarizing thoughts of a writer if we fail to detect his theme. Remember that a book can have multiple themes. The Bible has several recurrent themes which are interwoven through the various biblical books creating the sense of unity throughout. The following themes are found in many biblical books:

  • The Afterlife or Eternity: Damnation or Salvation
  • Authority, Submission, and Rebellion
  • Baptisms, Cleansings, or Washings
  • Blessing to or Care for Mankind
  • Blessing versus Cursing
  • Blood Sacrifice or Atonement
  • Children of Faith and Children of Blood
  • The Condition of the Land
  • Conversion
  • Covenants
  • The Church
  • Cycle: Slavery or Oppression, Repentance or Crying Out, and Redemption or Salvation
  • Divine Mediation: Priestly Petitions (from Man) or Prophetic Declarations (from God)
  • Evangelism or the Spread of Truth
  • Faith and Obedience
  • The False Prophets and Teachers
  • Fruitfulness or Numeric Multiplication versus Barrenness or Diminishment
  • Generational Heritage or Legacy
  • Good versus Evil; Righteousness versus Wickedness
  • Grace, Mercy, and Forgiveness
  • Heroic Leadership
  • Holy Days, Memorials, and Remembrances
  • The Holy Spirit or God's Spirit
  • Idolatry (by God's People and by Heathen)
  • Jesus Christ (in the New Testament)
  • Journey, Pilgrimage, Movement, or Travel
  • Judgment Day or the Day of the LORD
  • The Kingdom of God or Kingdom of Heaven
  • Life and Death
  • The Land of Israel (a.k.a., Canaan's Land or the Promised Land)
  • Love and Hate
  • The Messiah (or, Anointed Savior) (in the Old Testament)
  • Monotheism
  • The Mosaic Law or God's Law
  • The Nation of Israel
  • Old Testament (or, Old Covenant) versus New Testament (or, New Covenant)
  • Persecution of the Righteous
  • The Remnant
  • The Resurrection of the Dead
  • The Royal Bloodline of David
  • Self-sacrifice
  • Truth versus Falsehood
  • Wisdom versus Foolishness

Author: Allen B. Wolfe


tone
tone

Tone is the feeling conveyed by the author towards his subject.  Tone should not be confused with the emotional expressions of characters referenced or of witnesses cited.  Likewise, tone is not to be confused with mood.  Tone springs from the author’s feels as revealed in his writing.

If the tone is not evident, the tone is regarded as neutral or impartial.  (In truth, authors generally write upon subjects that they feel are important and about which they hold intellectual presuppositions and feelings of approval or disapproval.)  Impartiality is expected from authors of certain types of writings:  financial reports, scientific reviews, judicial rulings, history books, news articles, etc. 

Tone may be communicated directly or indirectly.  Indirectly, tone is evidenced by the connotations of the words selected by the author.  Euphemistic words (or, pejorative terms) are positive, agreeable, or kind variations; dysphemistic words (or, laudative terms) are negative, disagreeable, or unkind variations.  For example, a child born from an adulterous relationship might be called a love child or a bastard child.  To illustrate further, the American Civil War was referred to as the War of the Rebellion by Northerners and as the War of Northern Aggression by Southerners.

Tone may be indirectly conveyed by how the author portrays the hero and the villain.  An author, who is spiteful against Christianity, might cast the antagonist as a preacher and the protagonist as a pro-evolutionary scientist.  Historians subtly convey tone by the convenient omission or embellishment of events.  New reporters slip their own personal partisanship into their articles by similar methods.

In the Bible, some authors clearly convey their intense love for their ideas and audiences.  The apostle Paul communicated intense feelings: “For out of much affliction and anguish of heart I wrote unto you with many tears ... that ye might know the love which I have more abundantly unto you” (2Co. 2:4).  The historical narratives (e.g., 1 Kings) hold a near impartial tone by unemotionally stating facts.

See author's purpose and author's point of view to learn more.


Author: Allen B. Wolfe


typographic cueing system
ty-po-graph-ic cue-ing sys-tem

The typographic cueing system is based upon the typesetting of printed material. The placement and stylistic appearance of a word can influence the meaning of that word. Appearance is determined by formatting attributes, including capitalization, font style, size, color, spacing, or by adding special print conventions: underlining, italicizing, or boldfacing.

In most modern copies of the Bible, the words of Jesus are printed in red ink. By simply printing in red ink, the publisher has placed interpretive significance upon the words. Likewise, the Tetragrammaton (i.e., the four-letter name for God) is most commonly printed as capitalized L-O-R-D or G-O-D (in contrast to “Lord” or “God”). (Read the Preface of Balancing the Sword for more information about the Tetragrammaton.)

Originally, the Hebrew, upon which the first thirty-nine books of the Bible are based, did not have capitalizations. Therefore, all capitalized words in the Old Testament bear the publisher’s implied interpretation. Likewise, paragraph breaks and the division of chapters and verses were added to the original biblical manuscripts. Each visual separation between verses, paragraphs, or chapters has the potential of changing the meaning of a text.

Some simplified printings of the Bible have virtually no formatting assistance; however, most study Bibles have many typographic cues added by titles, subtitles, headings, subheadings, indentations, color, etc.

See cueing systems.


Author: Allen B. Wolfe


vocabulary
vo-cab-u-lary

A vocabulary or lexicon is a collection or range of words or phrases included in a language, field of study, level of education, book, or person's knowledge. Individual’s possess a

  • speaking vocabulary (i.e, words that we can use or understand in speech),
  • reading vocabulary (i.e, words that we can use or understand in print),
  • spelling vocabulary (i.e, words that we can spell), and
  • working vocabulary (i.e, words that we comfortably use in our normal activities).

We may be strong in one form while weak in another.  In fact, illiterate adults often possess strong conversational skills, yet they cannot read the words that they speak.

The size of a vocabulary is measured by the quantity of words or phrases. A vocabulary’s sophistication is determined by the breadth, precision, and rarity of the words or phrases included. Dictionaries contain vocabulary words arranged alphabetically. A Bible concordance (e.g., The Strong’s Concordance) contains Hebrew and Greek words also arranged alphabetically to help students better understand words found in the Bible.

We are born without a vocabulary. Our oral vocabulary is developed as children before our reading vocabulary.  As toddlers, we understand the world in simple terms of good or bad and in other elementary expressions. As we grow, the word good can be replaced with more precise words such as tasty, colorful, comfortable, mighty, quick, brilliant, etc.

A large oral vocabulary facilitates the quick development of our reading vocabulary. Those with a narrow vocabulary, such as children, struggle to read most literature. The broader vocabulary that a person possesses, the less difficulty a reader will have with reading fluency. Therefore, the more focus the reader can give to understanding the concepts conveyed by the words. (See reader's background knowledge.)

The Bible includes specialized words. (See academic vocabulary.) Some translations of the Bible are designed for new readers. However, these translations often forfeit accuracy for simplicity. See the readability of translations to learn more.

Vocabulary words can be divided in several ways: figurative, idiomatic, technical, common, etc. Vocabulary words can also be divided by function: nouns, pronouns, verbs, adverbs, adjectives, conjunctions, etc.

Our understanding of a word's meaning should include both denotations (i.e., direct meanings) and connotations (i.e., indirect meanings).

A reader's vocabulary determines his semantic cueing skills.  Cueing systems will increase your vocabulary.

Also see content area vocabulary and high frequency content area vocabulary.


Author: Allen B. Wolfe


Western
West-ern

In reference to culture, Western is an adjective to describe a type of or an expression of culture (e.g., literature, music, art, fashion, foods, lifestyles, values, attitudes, customs, activities, sports, etc.) commonly associated with or originating from countries of the West.  Countries of the West or Western countries are those historically shaped by Greco-Roman and Judeo-Christian influence as transferred by evangelism, colonial expansion, exploration, migration, and trade.  Western countries includes (but is not limited to) those countries that are predominately populated by those of European ancestry.  There is no official list of Western nations.  Western countries include the European countries, the countries of North America, Central America, and South America, Australia, New Zealand, and more. 

The word Western is used to contrast Western culture from Oriental or Eastern culture (Eastern including Near-Eastern or Middle-Eastern and Far-Eastern).  Regrettably, Western culture has also become a pejorative phrase to designate values (e.g., immodest dress and illicit relationships) that are contrary to biblical values.

Today, America is the largest exporter of Western culture through our movies, music, social media, and software.  Modern youth in India, Japan, and elsewhere are adopting many aspects of Western culture. 


Author: Allen B. Wolfe


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